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Former Super Eagles Star Graduates At 69, Emerges Best Student

Never say never– a time-tested aphorism reminiscent of an unyielding desire in one dying to achieve a target. Ben-Lutnaan Duamlong, former Nigeria international and one-time coach of the Super Eagles, had always nursed a dream. Like every sane individual with an ambition and a life goal, Duamlong never allowed his dream to die despite distractions and hiccups along the way.
After spending his childhood and adolescent years as a football player and coach, winning lots of laurels, honour and fame, Ben-Lutnaan Duamlong retraced his tracks and returned to the classroom; not as a teacher but as a student.
And at the end he excelled. Above all, he achieved his life target of becoming a fine artist. Duamlong graduated from the University of Jos at 69 and was the best graduating student of his set with a CGPA of 4.32.
“I have always loved the arts. Like I wrote in the handbook of my first and only exhibition, ‘football and arts, to me, are one and the same. While football is performing arts, what I am doing now… painting is abstract arts. They all form the creative. Art to me is everything. Art is life. ”
He wanted to read philosophy. On a second thought he said to himself, “I have a passion for arts and during my days in the Green Eagles in the 1970s, I enrolled for a course to study arts with a correspondent College in England.
“They were sending me tutorials and assignments on drawing and arts. I then said, why don’t I try my hands on this? Even as a kid I used to draw but I had never painted,” he said.
“It wasn’t easy at the beginning as my first painting was nothing to write home about. Gradually, I came into it. Now, thanks be to God, I can do it. In fact, I have held my first exhibition titled SWITCH”
Switch, a maiden solo exhibition by the new ‘kid on the block’ was well received and Duamlong attests to that.
“Encouraging. In this part of Nigeria, art is not much in peoples’ consciousness. I plan to have another exhibition before the end of this year or early next year.”
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He retired in 2016 as coach of Kaduna United Football Club and was offered admission to read Arts in UNIJOS through direct entry. “My admission was made easy with the qualification I had from the National Institute for Sports and in Germany.” With no formal background in arts apart from the Correspondent College in England, Duamlong hit the ground running.
At school, he found himself in the midst of boys and girls about the ages of his children. Naturally, this would have evoked a feeling of discomfort in some old people. But not Duamlong. “They were not as old as my grandchildren but younger than my children. I didn’t look at that because all that was on my mind was how to become an artist.
“So, I enmeshed myself in that process and did everything I could to succeed. Like I told you, in the beginning I was on ground zero. Apart from those tutorials, books and assignments I never had a formal arts teacher until I got to the university. From time to time I used to do pencil work, drawing.”
But most students shy away from Fine and Applied Arts because of its complexities and intricate nature. Most Nigerians still cannot appreciate arts, particularly abstract arts. Why was Duamlong bent on making arts his major?
Duamlong’s typical day at the university was, in his words, hectic. “Although I sent myself to school, I must wake up early to beat the traffic. I would get to school before 8 am, because some classes start as early as 8. Thereafter, I would go to the first floor because our studios are on the 8th floor. In most cases when I go up, because I had a challenge with my leg – I needed to operate my knee and hip.
As soon as I dropped my last exam paper, I went for the operation for knee and hip replacement. Because of the stress, when I go up in the morning I don’t come down until it’s time to go in the evenings. The toilets are on the ground floor. But I had to endure till around 5 pm in the evening before I came down.
“It was hectic because I painted everyday, even on weekends I painted. I did that in order to cover lost grounds.”
Duamlong (l) with the VC, UNIJOS Professor Tanko Ishaya
But what are those lessons derivable from arts? What does it mean to Duamlong being an artist?
“I told you before, art is everything. Art is life. Art is also abstract. It is an abstraction of a whole. When you condense a story like an abstract picture – you may look at an abstract picture.
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“When you go to some places and see an abstract picture that wouldn’t make sense and when the artist who painted it comes and explains all the strokes you will say wow…I did not look at it that way. In the arts there are so many perspectives for you to view life.”
Reading at an old age is not as simple as it seems. The distractions are numerous. For a man who had long left the classroom, reconnecting with the past calls for heavy adjustment. Domestic and family problems and even social pressures could provide numerous excuses for the uncommitted.
Determined Ben Duamlong had his challenges and was up to it as he surprisingly cleared his papers and made a CGPA of 4.3, the highest in his set, beating vibrant-looking younger students.
Deservedly, he emerged as the best-graduating student of his set. How was this possible?
“Hard work. Hard work. Hard work. There are some people that had graduated from the arts school before me that I went to beg to teach me at weekends. I go to church in the evenings, except there is an occasion that requires me to go in the morning. When I come out in the morning, I would paint till 2-3 pm. I really pushed myself very hard.”
For those who were responsible for his development to becoming one of the best artists at the university, Duamlong’s result did not come as a surprise.
In the foreword to the handbook of Duamlong’s first and only solo exhibition, John Oyedemi, PhD, Head of Department of Fine and Applied Arts, University of Jos, wrote thus: ‘SWITCH’ is a solo exhibition by one prolific individual/artist of his age. Ben-Lutnaan Duamlong was the oldest student and one of the best in the Fine and Applied Arts Department.
He was always in the studio, a motivation to the younger ones.
“I once wondered how he got such energy and mental strength to work. No wonder at graduation, he had the largest collection of paintings which was evidence of hard work.”
On his part, Jacob Enemona Onoja, PhD, Curator and Arts critic, Art history section, Department of Fine And Applied Arts, Faculty of Environmental Sciences, University of Jos said, “Duamlong’s themes of compositions range from human activities depicting culture of his people, football, markets, cityscapes and portraitures of important personalities, lecturers, among others.”
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Continuing, Onoja said, “the tactility of the works using the palette-knife, the dexterity of the use of colours, space utilization and forms placement in the compositions, the use of unique subliminal and obvious symbolism and a myriad of stylistic tendencies are expressed in his paintings.
“The artist to me exemplifies tenacity, doggedness and the spirit of working hard to be able to achieve his set goals even at his age of 69, age is just a number.”
He hopes his exploits at UNIJOS at 69 will serve as a source of inspiration to not only the older people who think old age is a barrier to furthering one’s knowledge but to the youth. “Anyone who is ready to push, remain committed and go the extra mile is bound to succeed.”
Before he became an artist, Ben Duamlong was a football player and later coach. According to him, he began playing from the streets before going to primary school.
Duamlong was born in Pankshin, Plateau State, but life actually began in Maiduguri, (North Eastern State) now Borno State.
“The turning point was in my primary 3 in 1963 when I started showing my abilities as a goalkeeper. I went to Maiduguri on holidays with my father’s friend. At the end of the holidays in my Form 2 in1968, I thought we were returning but didn’t know he had made up his mind to keep me there.
“I was training with some town boys and one day something happened and our goalkeeper did not show up. I was asked to stand in his place. By the time I went back to train with the boys, they didn’t leave me with any choice in regard to where I wanted to play. They said they had got a goalkeeper.”
His father was a civil servant who was always on the move. That made little Duamlong live with different people at different times. But that did not, in any way, disrupt his steady rise in academics.
“Of course, but for football, my line would have been academics because many of my mates went on to Ahmadu Bello University, Zaria. At least, I did my HSC but I decided to go to Sapele to take over from Peter Fregene who was the goalkeeper of Amukpe Lions that metamorphosed to New Nigerian Bank of Benin.
“I came in when NNB had just taken over. I came to Sapele in 1973 after the first National Sports Festival in Lagos. I represented the North Eastern State. I started keeping for the North Eastern state from my Form 2.”
He would not agree that football was a distraction. Could he have achieved his academic goal earlier than he did, if football did not stand in his way?
“Football did not disturb me. If I wanted, I would have gone to school of Basic studies and then straight to the university. But I wanted to play football. I didn’t go through Jos to Sapele. If I did, they would have stopped me.”
He played his way to the national team, the Green Eagles when the likes of Peter Fregene, Joe Erico and Eyo Essien were calling time with the national team.
“When we were going into camp was when the three great goalkeepers were being asked to go because time had caught up with them. They were all great goalkeepers that I loved to imitate. They were my idols and role models.”
VANGUARD
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OPINION: Aláàfin Ọ̀yọ́ Cuddling A Dead Empire (1)

Tunde Odesola
The (Ọmọ) child (tó) is (bá) the (ma jẹ́) father (Àṣàmú) to (kékeré) the (ló ti ń jẹnu) man (ṣámú-ṣámú). Ehn, yes! Deal with it! The mishmash opening sentence is intentional because it is confusion I have on offer today, not peace or order. Not prostration or placation. My esteemed readers can’t be eating Christmas rice and chicken while I wrack my brain to produce an article, which will be digested within 20 minutes, amid mutterings of ‘uhm!’, “na wa o” and “you said it all.” No, I won’t have all that.
Dear readers, where’s my Christmas rice and chicken? At all, at all, na im bad. It’s not only your mouths that can describe the road to Ọ̀yọ́: Ẹnu yín nìkan kọ́ ni wọ́n ń bá dé Ọ̀yọ́. My own mouth too can also describe the road to Ọ̀yọ́ if I sight a plateful of chicken and jollof rice.
Even if my cheeks bulge with a mouthful of rice and my eyes ogle with foodie greed while I clutch chicken thighs in both hands, I still can describe with my mouth 100 roads leading to Ọ̀yọ́. Right now, I’m journeying to the palace of Aláàfin Abimbola Akeem Ọwọade, the Iku Baba Yeye, to celebrate Christmas with him. If you are interested, you can come along; Aláàfin has more than enough food and palm wine to go round.
Now, let’s get a bit more serious. If you run the jargony first sentence of this article through a literary sieve, you will get two intertwined proverbs: one English, the other Yoruba. The English proverb is “The child is the father of the man”, and its Yoruba counterpart is “Ọmọ tó bá ma jé Àṣàmú, kékeré ló ti ń jẹnu ṣámú-ṣámú”. Neither plagiarised the other. Only that the same stream of thought flowed through two different social milieux in different languages, at different eras, before congealing in wisdom. The English proverb was coined by William Wordsworth, an English poet, in his 1802 poem, “My Heart Leaps Up.” Its Yoruba equivalent, “Ọmọ tó bá ma jé Àṣàmú,” is a fruit of logic dangling on a communal tree at the village square.
Since the two proverbs mean the same thing, I’m taking both with me to the Ọlọ́yọ in Ọ̀yọ́. “The child is the father of the man” implies that the gamut of a person’s childhood experiences, character, and values fundamentally shape who they become as an adult, stressing that the innocent, formative years of childhood lay the groundwork for the entire adult life. The proverb has a couple of other meanings, but the meaning I deploy here suffices for this engagement. The Yoruba proverb, “Ọmọ tó bá ma jé Àṣàmú, kékeré ló ti ń jẹnu ṣámú-ṣámú,” means “A child that would grow to become Àṣàmú (an adult), would possess from childhood, Àṣàmú’s sharp oratory skill.”
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Let me bore you with the story a deputy governor told me many, many years ago. “Tunde, I was a rascally child. There was no mischief beyond me. One day, I rummaged through my father’s alcohol cabinet, which had all sorts of choice drinks. Normally, I drink from any bottle that tickles my fancy. But, one particular day, I took a swig from a dark bottle, it was so sweet, nice and creamy. I took another swig and fell asleep, right by the cabinet.
“I jerked awake to my father’s car horn. Quickly, I locked the bar, bolted to my room, grabbed a book and sat like a saint. Ha, that was a close shave! Hot air zipped down my nostrils. That night, I slept soundly. I looked forward to another drink from the dark bottle. On subsequent occasions, I drank from the bottle. Each time I drank, I topped it up with a little water.”
“One day, my daddy had some of his fellow top civil servants visiting. He was happy to receive them. He went to his mahogany bar, opened it and brought out various drinks. Clutching ‘my’ bottle, my father proudly announced to his friends that he bought the creamy drink and some others from France. One of his friends took the ‘my’ bottle from him, noticed it was already opened, but he didn’t say anything. As he opened and poured the drink, my heart relocated. The drink that was once chocolate had turned snow-white. When he tasted it, his face crumpled like a deflated balloon. He called my father by his first name and showed him the content in his cup, saying, ‘Lagbaja, this is not from France.’
“My father was no-nonsense. His instrument of chastisement was an entwined six-wire whip. After seeing off his friends, he stormed back in. He called all of us to the sitting room and announced the crime. He didn’t ask who the culprit was. He just said, “I’ll begin with the youngest! Hey, you, come here!”
“My youngest sibling screamed, “Èmi kọ́ o ! It’s not me o! It’s aunty Tamedo. I saw her when she opened your cabinet and drank your drinks! It’s not me o!!”
Unknown to him that the soul of his Irish Cream had been killed by his daughter, the deputy governor’s father lived on false hope, believing that his bar was still as warm as a furnace, not knowing that it was as cold as a refrigerator. He was living in the past, like Aláàfin Ọwọade is doing today.
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Enthroned in the first quarter of 2025, Ọwọade has yet to clock one year on the àpèrè of his forefathers. But it appears the Ọlọ́yọ has been reigning for over a decade. The gbas-gbos sound of the pestle pounding the mortar in Ọ̀yọ́ is not a dinner invitation. The sound is the drumbeat of an unnecessary war. On April 11, 2025, exactly six days after his inauguration on April 5, 2025, I wrote an article, “Letter to Alaafin Abimbola Owoade,” in honour of the new king, congratulating him and charging him to rule in peace, love and harmony. In the article, I prayed, “May the land not be angry with your majesty. May Ọ̀yọ́ live in harmony during your reign…Aláàfin, so far, your feet appear set on the path of honour, I beseech thee not to depart from it.”
Upon noticing the unmelodious bata sound emanating from Ọ̀yọ́ palace thereafter, I wrote another piece on May 9, 2025, titled, “Aláàfin Ọwọade: Thy bata drum is sounding too loudly.” In the article, I called on Ọwọade to tread with caution, warning that royalty road is strewn with banana skins. Specifically, I recalled the controversial death of Chief Lookman Arounfale, the Baba Ọjà of Ọ̀yọ́tùnjì, a US community, after he was reportedly attacked in Aláàfin’s palace. However, the palace issued a statement denying involvement in the death of Arounfale.
In the article, I also recalled how the Ọ̀ràngún of Ìlá, Ọba Abdulwahab Oyedotun, and his entourage were allegedly treated shoddily during a congratulatory visit to the Aláàfin.
From day one, I mean, right on Aláàfin’s coronation day, controversy erupted over what many Yoruba sons and daughters perceived as shabby treatment of the Ooni of Ife, Ọba Adeyeye Enitan Ogunwusi, whose name was not mentioned at all during the programme. As the culturally recognised head of all Yoruba traditional rulers, the Ọọni was not given the honour to speak at the occasion. This action presupposes that the Alaafin, even before his coronation, nursed a complex against the Ọọni. My personal findings showed that when it was the turn of an oba to speak on behalf of all traditional rulers present at Ọwọade’s coronation, it was the Oloro of Oro in Kwara State, Ọba Oyatoye Titiloye, a couple-of-months-old king, who was called to speak. When it was time for the Alaafin to talk, he failed to recognise the Ọọni or kings from Osun State. I don’t think that’s a good way to treat visitors who left their ‘ile ati ona’ to come and felicitate with you.
In his eight-month reign so far, Ọwọade has visited the Aseyin of Iseyin (Oyo State), Okere of Sak (Oyo State)i, Alake of Egba (Ogun State), Sultan of Sokoto (Sokoto State), Onitede of Tede (Oyo State), Olofa of Ofa (Kwara State), Oluwo of Iwo (Osun State), Emir of Ilorin (Kwara State), and the Olowu Kuta of Owu Kuta (Osun State), on a thank you and familiarisation visit. But he has yet to visit the ancestral and cultural head of the Yoruba nation, the Ooni of Ife, Ọọni Adeyeye Ogunwusi. I suspect Aláàfin Ọwọade is saving the biggest for the last. Iku Baba Yeye is at liberty to choose who and when to visit.
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Ọwọade’s attitude became a matter of particular concern for me because the heatmap of his relationship with the Ooni indicates red, while that of the Arole Oduduwa is green. At this juncture, it is good to ask the Aláàfin a pertinent question. How has the Ooni wronged you? As I said earlier, it behoves the Aláàfin to associate with whosoever he desires, but it doesn’t lie in his right to exhibit an attitude that casts the Yoruba in discourteous, arrogant and unroyal light.
I ask again, what has the Ọọni done to deserve disdain from the Aláàfin – when the Ọọni has not publicly disrespected him? Before the Aláàfin thinks I’m doing a paid job for Ogunwusi, he should grab a copy of last Friday’s PUNCH and read how acerbic I was of the Ọọni for installing Senator Oluremi, the wife of President Bola Tinubu, as Yeye Asiwaju Gbogbo Ile Oduduwa, without using the symbolic ‘akoko’ leaves. The title of that my critique is “Tinubu: Ade Ori Okin befits KWAM 1, not Awujale crown”. Aláàfin, nobody send me o; I am just in the queue of Nigerians who demand responsible leadership for our society to grow.
The long queue of Nigerians demanding decorum from their leaders was shocked a few months ago when Ọwọade announced that he was the only traditional authority that could honour anyone with a title that covers the whole of Yorubaland. Ọwọade’s announcement came after the Ọọni honoured an Ibadan businessman, Dotun Sanusi, as the Okanlomo Oodua. Hehehe. The King of Oyo also gave Ogunwusi 48 hours to rescind the title given to Sanusi or face a consequence. The Ọọni has not rescinded the title. And thunder from the Ṣango of Ọyọ has failed to strike Ogunwusi. Abi, does the Aláàfin mean 48 years?
Or was the Iku Baba Yeye ‘catching cruise’ – as the youth of today would say? When confronted with an unserious or funny matter, the youth of today would also say ‘dey play’ or ‘ọ̀rọ̀ àpárá. Is the Alaafin plying?
A foremost traditionalist and Araba of Osogbo, Ifayemi Elebuibon, shared his opinion on the ongoing issue, saying the Old Oyo Empire, which Ọwọade is using as a basis for his preeminent claim, was long dead and buried. He said, “Ọyọ should pay reparation to other parts of Yorubaland that they despoiled. Ọyọ wreaked havoc on fellow Yoruba towns, lording it over towns and villages, and forcing them to pay tributes. When they argue that they rescued Yorubaland, did they fight wars as much as Ibadan? Where were they when Ibadan warriors repelled and defeated the Fulani? The Old Ọyọ empire had collapsed then. So, should Ibadan also get up and say they are superior to Ile-Ife? No. How can a child be older than his father? Did Ọranyan, who founded Ọyọ, not leave from Ile-Ife? So, what are they saying? Is supremacy fight what our kings should be engaged in now?
“Look at how many people Basorun Gaa killed. Look at how many Alaafins he killed? Is that the type of history that we should be proud of? Is that the type of history that a king should derive his present-day authority from, and try to lord it over others as if we are still in the past? The Alaafin should learn patience. Many of our traditional rulers are bringing shame to us. Was it Ifa or a royal election that made Alaafin superior? But the Ọọni derives his superiority from Ifa.”
I reminded Elebuibon that Ifa chose the new Alaafin. He said, “Yes, Ifa chooses kings, but the chosen king must also reinvent himself…”
To be continued.
Email: tundeodes2003@yahoo.com
Facebook: @Tunde Odesola
X: @Tunde_Odeso
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Makinde Increases Gratuity Payment Of Retirees From N1.5b To N3b

Oyo State Governor, Engr. Seyi Makinde, has approved a 100 per cent increase in gratuity payments for retirees in the state.
The Secretary of the Nigeria Labour Congress (NLC), Aribatise Adebayo, confirmed the development in a statement made available to journalists in Ibadan on Friday.
Adebayo noted that gratuity payments have increased significantly from ₦1.5 billion to ₦3 billion.
He said the development further confirms the governor’s worker-friendly disposition towards labour unions in the state.
Adebayo added that the governor has not reneged on his promise to continue paying the 13th-month salary at the end of every calendar year.
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The statement read, “The leadership of the Nigeria Labour Congress (NLC), Trade Union Congress (TUC), and Joint Negotiating Council (JNC) in Oyo State sincerely appreciates the Governor of Oyo State, His Excellency, Engr. Seyi Makinde, for his commendable and worker-friendly gestures.
“We particularly commend the Governor for increasing the proposed gratuity payment from ₦1.5 billion to ₦3 billion, a decision that demonstrates his deep commitment to the welfare of retirees.
“We also applaud the consistent payment of the 13th-month salary, which has now been paid for the seventh time, as well as the prompt release of subventions.
“These actions further reaffirm the governor’s dedication to the well-being of workers and retirees in Oyo State and his unwavering support for industrial harmony.”
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Makinde has felicitated Christians in the state and across the country on the occasion of this year’s Christmas, urging them to continue to live in love and harmony with one another and with their neighbours.
The governor made the call in a Christmas message released on Thursday and made available to journalists by his Special Adviser on Media, Dr Sulaimon Olanrewaju.
According to Makinde, Christmas is a season of love, with the birth of Christ as the essence of the celebration, stressing that Christians must reflect this message by showing love to others and living in peace in line with the teachings of Jesus Christ.
He also counselled residents of the state to remain vigilant during the Yuletide, noting that security is a shared responsibility between the government and the people.
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The governor urged citizens to report suspicious movements and activities to security agencies through the Oyo State Citizen Emergency Number, 615, reiterating that the principle of “if you see something, say something” remains in force.
He said: “This is to wish our Christian brethren and, indeed, all residents of Oyo State and Nigeria a Merry Christmas.
“Christmas, as we all know, symbolises love as exemplified by the miraculous but humble birth of the Lord Jesus Christ. Thus, we must live the message and the essence of the festival.
“Let me also use the opportunity to charge residents of the state to be vigilant and observant as they go about merrying. As a government, we have been up to the task in terms of securing the state, but there is still a role for residents to play. This is why we always say that if you see something, say something, and your government will do something.
“The Oyo State Citizen Emergency Number 615 is active. Please call to report any emergency or suspicion of criminality, and our rapid response system will be activated to bring the situation under check.
“Once again, Merry Christmas!”
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PHOTOS: SGF George Akume Weds Ooni’s Ex-Queen

The Secretary to the Government of the Federation, Senator George Akume, has officially wed Queen Zaynab Ngohemba, the former wife of the Ooni of Ife, Oba Adeyeye Enitan Ogunwusi.
The announcement was made public on Friday by a facebook user and member of the Dajoh family, Abraham Double-d Dajoh, via a celebratory social media post.
He confirmed the union between the high-ranking government official and the former Olori of the Ife Kingdom.

The Dajoh family described the union as “beautiful” and “uncommon,” as they formally welcomed her into their fold in Benue State.
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In a statement that quickly went viral, the Dajoh family expressed their collective joy, signalling a significant chapter for the SGF’s household.
“We, the entire Dajoh Family, happily join our daddy, uncle and brother, His Excellency, The Secretary To The Government Of The Federation, Sen. George Akume Jugu Dajoh in welcoming his new and uncommon wife, Queen Zaynab Ngohemba-George Akume Dajoh, into the Dajoh family,” the post read.

The family further extended their appreciation to the political associates and supporters of the SGF, urging them to remain steadfast in their loyalty to him as he embarks on this personal journey.
“We appreciate and thank the fans and supporters of Sen. Akume for always standing by him. We enjoin every one of you to continue to support his Excellency even in this beautiful union with Queen Zaynab,” the post further read.
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Queen Zaynab, who was previously known as Olori Wuraola during her 17-month marriage to the Ooni of Ife (which ended in 2017), was ushered into her new home with deep cultural reverence.

The Dajoh family emphasised the importance of their ancestral roots in Mbakor and the wider Benue State.
“Welcome to Benue State, the Food Basket of the Nation, welcome to Mbakor, the seat of leadership of the Tiv nation and welcome to the Dajoh family, the home of your darling husband. Welcome home, Queen Zaynab,” the statement concluded.
The announcement coincided with the festive period, as the family used the opportunity to wish Nigerians a happy holiday season.
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“We wish you all a happy Christmas Celebration and a Prosperous New Year,” the post read.

Akume, a former Governor of Benue State and a politician, currently serves as a key figure in the President Bola Tinubu administration.
The news of his marriage to Queen Zaynab—a prominent humanitarian and former royal—has become a major talking point across the country’s social and political circles.
Contacted on the telephone on Friday, Akume’s spokesman, Yomi Odunuga, confirmed the marriage.
He, however, said contrary to reports that the wedding was held on December 24, the marriage is over a year old.
“I can confirm the marriage. However, contrary to the rumour that the marriage was concretised in Gboko on Christmas eve when the couple appeared together at an event to celebrate Christmas, it was actually a marriage that is over a year old,” Odunuga said.
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