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OPINION: Amupitan’s Magical Marriage To A Buffalo

By Festus Adedayo
While growing up, I went on hunting expedition with elderly men. From it, I found out that the forest, as an ecosystem, is diametrically opposed to the human world. In the forest, the hunter exists with “other beings”- animals of different shades and character, plants – whose existences bear similarity with man’s. One of such beings is an unseen spirit whose existence the hunter can take for granted only at his own peril. In the forest, the hunter is in a continuous struggle with these beings but is seen as an interloper. In this forest community, every member of the ecosystem contests for primacy, sometimes in a mortal and fatal manner.
Whenever human arguments begin to sound like claptrap to me, I bail out to avoid going mad. My refuge is always among animals, in the wild. It is a place Yoruba curiously call ìgbé. Ìgbé is, literally, excreta. I find greater logic in excrement than sweet-smelling human contraptions. To explain Professor Joash Amupitan’s recent appointment as the Chairman of the Independent Nigerian Electoral Commission (INEC) and the forebodings that line the sky, I had to go in search of animals whose lives could give explanations of the weird life of man. Whether in the sullen murmur of bees, the cruel humour of monkeys, the deafening roar of lions, the ugly beauty of hyenas or the artistry in the skin of zebras, the wild is a better place to find peace of mind. Or don’t you think so?
In Ayo Adeduntan’s seminal work, What the forest told me: Yoruba hunter, culture and narrative performance (2019), the author conducted an interview with Ògúnkúnlé Òjó of Agúnrege village in Oyo State. Adeduntan narrated how Òjó’s hunter master, Ògúnòṣun, married an efòn, the buffalo. In description, the African buffalo is one of Africa’s ‘big five’ safari animals, alongside rhinoceros, elephant, leopard and lion. Living only in Africa and Asia, the buffalo is reputed for its huge horns. Though a herbivore like cows, feeding only on plants, the animal often falls prey to predators like hunters, lions, leopards, hyenas and wild dogs. It can also be vicious; in order to defend herself, the buffalo strikes its prey with her horns.
According to Ògúnkúnlé Òjó, this particular day, he and another colleague on hunting expedition had shot the buffalo in the Agúnrege village forest. The animal immediately fell. Apparently frightened by the monstrosity of their kill, one of them had to run home to fetch their master, Ògúnòṣun. As they were about to get to the spot where the animal was felled, narrated Ògúnkúnlé, they suddenly saw a very pretty woman walking towards them. I remember Odolaye Aremu, Ilorin Dadakuada music lord, comparing the suddenness of the death of Western Region Premier, S. L. Akintola, to the instantaneous blow of a calamity when he sang, “…pèkílàá ko èèmò.” Said Ògúnkúnlé, “we ran into the animal, that is, the wife. She was a very beautiful woman” which in Yoruba is, “àfipẹ̀kí n l’abápàdéẹranl’ọ́nà, èyuùnìyàwó. Arẹwaobinrinni”. What Ògúnkúnlé implied was that the woman they met on the road to the buffalo’s remains was the same buffalo who had now transformed into a beautiful woman. It reminds one of Fagunwa’s Igbo Olódùmarè and how Olówóayé, swept off his feet by the sultry beauty of a woman named àjẹ́, was oblivious that he was making advances to a spirit woman.
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What eventually transpired between Ògúnòṣun and the buffalo-turned-beautiful woman is instructive. “Our master exchanged greetings with her (the animal). She greeted our master, kneeling down in respect. This is no hearsay; I, Òjó the hunter, was present there that day. Our master wooed her and they both agreed to marry each other. She (however) warned: ‘Now that you have decided to marry me, be informed that the day you, out of anger, call me an animal, that day would be your last. It would not offend me as much if you hit me so much that I am wounded and bleeding.’
“So they got married. She became pregnant and had the first child, the second and the third child. There was a quarrel between her and my master one day. As they quarreled, my master angrily insulted her: ‘Àb’órí ì rẹ burúni, ìwọ ọmọ ẹrankoyìí’ – ‘You good-for-nothing unlucky daughter of an animal.’ ‘Oh!’ the woman said, ‘You are done for.’ That was where the trouble started.”
Ògúnkúnlé Òjó then ended the story, stating that the buffalo woman then turned into her pre-marital animal state. “Yes. It is no hearsay. She transformed into an animal by Ademọla’s father’s house beside Igbadi Hill. That was when the two of them started to fight. Our master tried all his power and failed. That was how the woman ran away forever. One of the children is dead. The remaining two are still in my master’s house,” Ògúnkúnlé said.
The forest is a realm that is implicitly uncertain. Those who claim that forest conversations between the hunter and other beings who live in the wild are purely African fantasy underrate our reality. The truth is that the hunter shares the forest cosmos with other beings. While the hunter believes he possesses some superiority over animals and other beings in the forest, the truth is that it is a shared world. Indeed, the Yoruba worldview does not approve of man’s superordinate status claim in relation to other earthly creations. He is thus in constant war against these forest antagonists whom he cannot pacify and who also see him as a usurper. This reminds me of a childhood fairy tale we were told about Segbe, a boy who veered into the wild on a festival day to hunt game. The animals descended on him and made a barbecue of his flesh. When the search party scoured the forest for him the second day, the birds sang, “Who is there searching for Segbe? Human beings were celebrating in their homes. We, animals, were having ours in the forest. We have made a meal of Segbe’s flesh.”
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In animals, there is no hypocrisy, no pretension. Victims and victimizers are aware of their naturally ordained roles and do not pull any shroud over this. In their wild habitat, these mammal forebears of man seem to explain better the contradictions of human life and the illogicality of the life of man. It prompted my disagreement with Fela Anikulapo’s concept of “animal talk”. While excoriating the Muhammadu Buhari military government’s War Against Indiscipline philosophy of openly beating offending Nigerians, Fela called that philosophy a talk of animals. My disagreement is that animals’ lives speak to man, but man is too deaf to listen.
In Yoruba hunters’ narratives, while there is always a hunter, animal and spirit relationship, this symbiosis often ends up in calamity. While D. O. Fagunwa’s narrative of the relationship between the trio of man, animal and spirits in the wild was fabulism, he took it out of the real-life man-animal forest ecosystem relations and encounters. Fagunwa’s books opened our eyes to the symbiosis of this relationship. You can see this relationship in the encounter between Olówóayé, Fagunwa’s hunter and protagonist, and the one-eyed elf called Èsù-kékeré-òde, in the book he entitled, The Forest of God, Igbó Olódùmarè. In another of his book, Ogbójúọdẹ Nínú Igbó Irúnmalè, this contest for supremacy between man and the spirit was illustrated by how a character called Tèmbèlẹ̀kun, a flesh-eating spirit, devoured Lamọrin, a hunter. Such is the nature of the dog-eat-dog relationship in the wild. ̣
So, last Thursday, as Professor Amupitan appeared in the Nigerian senate for screening, he suddenly pounced on my mind like a rampaging leopard. Whenever a hunter encounters an animal in the wild, his discerning mind tells him whether she is indeed an animal or an animal-turned-man. Putting on that same lens, what I saw last Thursday was an incestuous relationship between a hunter and a buffalo that would soon go awry. The hunter-buffalo’s love-turned-sour narrated above tells me I wasn’t mistaken. My reading is that of a tragic relationship that will soon come full throttle between Aso Rock, Amupitan and the Nigerian people.
History is Amupitan’s first nemesis. It holds that, like Ògúnòṣun, the hunter who got married to a buffalo-human, the new INEC boss is entering a graveyard of history where he would be so badly gored that he might emerge therefrom with a permanent scar. Since Sir Hugh Clifford’s Legislative Council election of 1920, Nigeria’s elections have been the graveyard of their electoral umpires. Since then, Nigeria has had electoral chiefs whose tenures ended in fiasco and, or ignominy.
Enters Amupitan. His first shot in the Senate last week was to confront the unpalatable graveyard image of electoral umpire bosses with comely semiotics. In semiotic theory, users deploy signs and symbols to create meanings. This they do through language, gestures and images. As he appeared at the senate screening exercise, the professor of law and Senior Advocate of Nigeria appeared with his family. Probably a student of linguist Ferdinand de Saussure and philosopher, Charles Sanders Pierce, who founded this study of symbols, Amupitan knew that a semiotic portrayal of the presence of his children on his first interface with Nigerians has the power of convincing the people that, as a family man, he would be humane. However, the reality of what he is about to begin far transcends the tender-heartedness of the family.
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Amupitan spoke very well. Just like his predecessors. The professor from the sleepy town of Ayetoro Gbede said his life is influenced by a tripod of God, hard work and mentorship.
Soon, Amupitan will realize that he is in the same boat with persons for whom God exists only as a political slogan or refrain. Beyond their lips, there is no one so-called. In this God thing, he is alone. Again, more than ever before, Amupitan, whose literal rendition of his name means a history maker, will indeed make history. He will also tell a story. What story he will tell and the history he will make are part of the omen of a gathering cloud in the sky I see. Vultures are already hovering, signifying that the story the professor will tell will not only not be significantly different from his predecessors’, it could be worse. First is that, unlike many previous elections, Nigerians have the painful belief that the winner of the 2027 elections, especially the presidential election, is already known. This will leave Amupitan to contend with his own ambiguities.
Second is the gale of defections that has rocked Nigerian politics in the last few months. The defections render party politics no different from the petty business of market square transactions. They thus make Amupitan’s job a potential failure. The belief is that the Senators/House of Representatives members and governors changing parties like chameleon changes colour, are driven by the quest to have the party at the federal lip-frog them into victory. How would Amupitan deny the party of his appointor victory in 2027?
Already, Amupitan’s ambivalent heritage may also sound the death knell on his electoral umpire role. While the presidency gleefully flaunted him as having “hailed from the North Central,” everyone knows that putting Ayetoro Gbede as northern Nigeria is one of those geographical mis-ascriptions of today’s Nigeria. A town in Okunland, in Kogi West Senatorial District of Kogi State, Amupitan hails from this town, founded in 1927 by early Christian converts. The truth is, Ayetoro Gbede is Yorubaland. So, if northern Nigeria, which is today embroiled in a fight with the avatar of Nigeria, on allegation of under-developing the North, loses the 2027 election to Amupitan’s perceived brother, there cannot but be wahala.
Pardon my pessimism. What I see is Amupitan, with his lustering credentials, ending up brutally bruised. This liaison with a buffalo-turned-pretty woman will not likely end well.
News
OAU Unveils Seven-foot Bronze Statue Of Chief Obafemi Awolowo

…Yemisi Shyllon, other dignitaries praise Awo’s commitment to humanity
A giant bronze statue of the sage, Chief Obafemi Awolowo, was unveiled on Friday at the Obafemi Awolowo University (OAU), Ile Ife.
The statue, the worth of which was put at N120 million by the donor, has the sage dressed in his Senior Advocate of Nigeria (SAN) attire. It is of a height of seven feet, which goes to 15 feet after the inclusion of the pedestal.
Speaking at the unveiling, the Vice Chancellor of the university, Professor Adebayo Bamire, stated that the statue is a legacy project for the university.
Professor Bamire said the statue was a celebration of Chief Awolowo’s selfless service to humanity and expressed the appreciation of the university to the donor, Prince Yemisi Shyllon.
Prof Bamire noted that the life of Chief Awolowo should serve as a lesson for all to live for the good of the people.
“It is known that the soul of any civilisation, the very pulse of its humanity, beats strongest on its art, on its music, its literature, its visual splendour and its performances. This affirmation resonates with the Obafemi Awolowo University academic philosophy: ‘for learning and culture’—a culture of creativity and a creative culture.
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“The donor of the statue, Prince Yemisi Shyllon, is a man whose name resonates across continents. He is Africa’s foremost art collector, an accomplished creative mind, a committed philanthropist of extraordinary vision and a relentless advocate for cultural advancement and one of the most remarkable cultural ambassadors of our time.
“For a university like ours, dedicated to the holistic development of mind and spirit, this example is a beacon. It reinforces our own commitment to ensuring that the sciences converge with the humanities, that innovation dances with tradition and that our graduates are as culturally literate as they are professionally skilled.
“This iconic piece will not only beautify our campus but also serve as a permanent cultural marker, reminding future generations of the ideals of leadership, service, excellence and intellectual courage upon which this university was founded,” the Vice Chancellor said.
Speaking, the donor of the statue, Prince Yemisi Shyllon, stated that the project was aimed at celebrating Papa Awolowo for living a purpose-driven life.
Prince Shyllon said conceiving the project and funding it was his own way of saying thank you to Chief Awolowo for the sterling leadership he gave his people and for showing what meaningful life meant.
“Indeed, many people solely focus on material wealth, such as having cars, building and buying properties, buying private jets, jewelries and the many other worthless and selfish illusions of life, that are generally not meaningful to the real essence of human life,” he said.
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He added that Chief Awolowo would be remembered forever for living for what was right and just even as he listed some of the enduring legacies of the sage.
Prince Shyllon pointed at “free education in the old Western Region, and other landmark projects such as the Cocoa House, Western Nigeria Television, Liberty Stadium, industrial estates, farm settlements and the Obafemi Awolowo University, among others” as worthy legacies left behind by Chief Awolowo.
Shyllon noted that the sage was a man who could be best described as an example of a person who lived a “meaningful life.”
He added that Chief Awolowo lived his life planting seeds for generations while leaving his indelible footprints on the sands of time.
He charged all to live the kind of life that would make humanity remember them for something positive, “just as Papa Obafemi Awolowo, who died 38 years ago.”
He stressed that the Holy Qur’an and the Bible preach the act of showing love to the needy, adding that all should not give to the needy for the purpose of getting anything in return.
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“Life is full of emptiness. Awolowo lived a meaningful, purpose-driven life and planted seeds through his various selfless services to humanity before his exit. That is why he is celebrated every day since he died 38 years ago,” he said.
In his remarks, Chairman, African Newspapers of Nigeria (ANN) Plc, publishers of the Tribune titles, and daughter of Chief Awolowo, Dr Olatokunbo Awolowo Dosumu, thanked Prince Shyllon for donating the statue.
She also appreciated the university for being receptive to the idea and for keeping the legacy of Chief Awolowo alive.
Ambassador Awolowo Dosumu, who was represented by the Editor, Saturday Tribune, Dr Lasisi Olagunju, noted that the project was a celebration of selfless service to the people which was what Chief Awolowo lived for.
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“History is always there to reward selfless leadership and expose pretenders. We are here today in celebration of an uncommon man who died 38 years ago. This honour, this statue is a demonstration of what immortality means.
“Chief Awolowo gave his very best in the service of the people. We appreciate the donor, Prince Yemisi Shyllon, for the gesture and also appreciate the university for giving the right space for the erection of the statue. Good life is about services; what we are celebrating today is history’s reward for Chief Awolowo’s selflessness.
“Papa was one leader who believed that service to the people is a rent paid for the space we occupy in this world. The Awolowo family appreciates this monument and thanks the donor and the sculptor for doing a great job,” he said.
He urged students of the institution to learn from the life lived by Chief Awolowo and rededicate themselves to noble causes.
At the ceremony were principal officers of the university and other dignitaries, including Senator Babafemi Ojudu, who also said positive things about Chief Awolowo and the leadership he gave the Nigerian people.
(TRIBUNE)
News
FULL LIST: FG Selects 20 Content Creators For Tax Reform Education

The Federal Government has released a list of 20 content creators selected to support public education on Nigeria’s ongoing tax reforms.
The Presidential Fiscal Policy and Tax Reforms Committee issued the announcement, which was posted on Thursday by its chairman, Taiwo Oyedele, on X.
The list, titled “Top 20 Content Creators for Tax Reform Education,” was shared after the organisers received 8,591 nominations covering more than 200 creators.
The organisers said the selected creators will attend a special training session designed to deepen their understanding of the new tax laws so they can share clearer and more balanced information with their audiences.
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They encouraged Nigerians to tag any creator on the list and ask them to confirm their interest by completing the acceptance form.
“If your favourite creator is on the list, tag or mention them and ask them to confirm their interest by completing this form: forms.gle/Ph49kSE4okDf6g….
“Deadline for acceptance is Monday, 8 December 2025.
“Tell us the areas of interest and key issues you’d like the training to focus on in the comments section.”
According to the announcement, the creators were ranked by their followership across major platforms. The top 20 include:
READ ALSO:FG Gazettes New Tax Reform Laws
1. Financial Jennifer
2. Onlinebanker
3. Don Aza
4. Mary Efombruh
5. Baba Ogbon Awon Agba International
6. Perpetual Badejo
7. Personalfinancegirl
8. Tomi Akinwale
9. Emeka Ayogu
10. Aderonke Avava
11. Odunola Ewetola
12. Christiana Balogun
13. Mosbrief
14. Chidozie Chikwe
15. Zainulabideen Abdulazeez
16. Chinemerem Oguegbe
17. Oyagha Michael
18. Ayomide Ogunlade
19. Ayọ̀dèjì Fálétò
20. Vera Korie
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Rufai Oseni Breaks Silence On Alleged Suspension From Arise TV

Arise TV presenter, Rufai Oseni, has debunked viral claims suggesting he was suspended from the station.
Oseni explained through a series of posts on X on Friday that he has been on planned leave from work, adding that the station had publicly announced the start of his leave weeks earlier.
He described the rumours of his suspension as unfounded fabrications circulated on social media and noted that verifiable information confirming his leave status had already been made available.
Oseni stated that he intends to resume his duties after completing his period of rest.
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He wrote, “I was not suspended. The lies and fabrications are terrible. Social media na wa.”
In another tweet, he wrote, I have worked for about a year and I decided to go on leave. After I rest small I go return. I love you all.
“At the start of my leave on Thursday last two weeks , it was announced on TV I went on leave. Empirical facts Dey, so data bois that lied about suspension Una jam Zuma rock,” he tweeted.
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