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OPINION: Mike Ejeagha And The Power Of Music

Published

2 years ago

August 2, 2024

Tunde Odesola

I grew up hating my name, Isaac, after listening to Fela Anikulapo-Kuti’s song, Upside Down, which he did with his American soulmate, Sandra Isidore, in 1976. Apart from his mother, the king-dethroning Madam Olufunmilayo Ransome-Kuti, Sandra was a major influence in the radicalisation of Fela, burnishing his art and heart with the socio-political wildfires called Blackness and Africanness spreading across the US, Europe and Africa to other parts of the world at the time.

Harnessing the genius of multi-talented designer, artist, painter and illustrator, Lemi Ghariokwu, whose brush drenched the sleeves of Fela’s albums in rainbowy colours, the Afrobeat god granted Ghariokwu the artistic licence to design and write the lyrics of his songs on his album sleeves. Ghariokwu made the best of the opportunity presented by Fela, soaring to world acclaim. The sleeve designs of ‘Yellow Fever’, ‘Zombie’ and ‘Beasts of No Nation’ are still vividly etched in my memory.

Not novel to the Nigerian music industry, the illustrations and lyrics on Fela’s album sleeves made it easy for his lovers and haters to understand the anger in his protest songs. Personally, the illustrations and lyrics made me internalise his gospel, though I was young.

Despite being a consummate Christian, my father, who was his fan, didn’t know he was planting the seeds of Black African consciousness in me by buying Fela’s albums. I remember my mother also bought the 1973 album of St Gregory’s College teenage students’ group, Ofege, titled ‘Try and Love’.

Leader of the group, Melvin Ukachi, revealed that Ofege was an abridged form of ‘O fo gate’, which means ‘he jumped the gate,’ a term used for Army deserters on French leave aka AWOL or students who left the dormitory without permission.

Isaac!? “No, I’m not sick,” I would say – in derision of my name – and would tell whoever cared to listen how wrong it was for me, a Yoruba, to bear a Jewish name when Jews don’t bear Yoruba names. In my fledgling ideological radicalism, I saw reason in Fela and Sandra, who sang in ‘Upside Down’ that, “Englishman get English name, American man get American name, German man get German name, Russian man get Russian name, Chinese man get Chinese name, but African man no dey get African name…everything disorganise, patapata…”

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As a youngster, I never plucked up the courage to tell my parents how much I disliked the Isaac name. Who born me? But when I came of age, I did tell my father how kobo-wise and naira-foolish I think it was for anyone to go to Jerusalem or Mecca on pilgrimage in the hope of making it to Paradise. I also told him how illogical I think it was for Nigerians to communicate with God in foreign languages such as Arabic, Italian, Hebrew etc when God understands all languages.

Fela intended his songs as a tool for social change. With the cult following he enjoyed, Fela knew his songs would sprout disciples in many nations. Though I didn’t smoke marijuana, I became a disciple of Fela’s gospel, always leaving my shirt unbuttoned at the chest, a behaviour which often fetched my mother’s swift ‘ifakun’ slap on my flat-screen chest, ‘twai’; ‘it’s not in this house you will become a Fela disciple! Button up, you goat!’

Just 18 when he met Fela, Ghariokwu had done a portrait of the Abami Eda and went to present the work to him. Fela reportedly offered Ghariokwu four times the worth of the painting but the creative turned down the money, thus earning a lifetime ticket to Kalakuta Republic.

As a result of his diligence with Fela, self-taught Ghariokwu achieved international repute, exhibiting in major museums across the globe, granting interviews to global media organisations, including CNN and designing album covers for Bob Marley, Osita Osadebe, Kris Okotie, Lucky Dube, Miriam Makeba etc. Also, he designed album covers for 2Face, Lagbaja, Sound Sultan, Falz, Brymo and record labels such as EMI, CBS and Ivory Music. He also recorded a song, Omolakeji, in 1992, featuring Daniel Wilson aka Mr Ragamuffin.

At 94, folklorist and master guitarist – Gentleman Mike Ejeagha – is at the Departure Lounge of Life International Airport, awaiting his last flight. A soft female voice wafted through the airport’s Public Address System, saying: “Passenger No 01-08-1932, Pa Mike Ejeagha, your attention is needed. You are about to board the wrong flight. Please, go back to the Arrival Lounge, a convoy is waiting to take you back home, courtesy of popular comedian, Brain Jotter.”

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And Gentleman Ejeagha burst into tears.

In music, folderol is a refrain with no meaning though it may be rhythmic. ‘Gwo, gwo, gwo, ngwo’ is a folderol, just as ‘Eweku ewele’, the Yoruba version of ‘Gwo, gwo, gwo, ngwo’ is. ‘Gwo, gwo, gwo, ngwo’ and ‘Ewku ewele’ are refrains in the Igbo and Yoruba folktales that showcase how little Tortoise differently tricked the almighty Elephant. ‘A o m’erin j’oba’ is the Yoruba version of the folktale. At best, both refrains signify the footfalls of the Elephant: ‘Gwo, gwo, gwo, ngwo’, ‘Eweku ewele’.

Ejeagha had only been known within the resilient Biafra enclave until fate blew fame his way recently, after his 1983 song, Ka Esi Le Onye Isi Oche, became the 14th most searched song in the world because the song went viral when Brain Jotter created a funny dance step and used the song in his comic skit.

In Igbo land, the name Mike Ejegbha is synonymous with storytelling such that whenever someone is engaging in a long speech, the audience would say, ‘Akuko Mike Ejeagha,’ meaning ‘Storytelling like Mike Ejeagha’.

Ejeagha simply means ‘Safe journey’. As a nonagenarian, one of the prayers of the Imezi Owa-born indigene of Enugu State would include a safe journey back home to his Maker for he had run a good race, fought a good fight and was waiting on his Lord before Brain Jotter appeared in the sky to give him fresh wings to fly, once again, among stars. It’s destined that Ejeagha’s song would be sung by this generation.

You can’t enjoy Ka Esi Le Onye Isi Oche if you play it on mobile devices. Get the music on a stereo and hear the booming ‘udu’ tempering the classic guitar work played on D major scale. It’s crazy.

Over the years, degeneration in moral values has seen Nigerian society abandon didactic musical messages for the current hurricane of irritatingly noisy music full of fury, materialism, sex, ritualism and outright stupidity.

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Music is powerful. I should add ‘very’ to the power of music. The walls of Jericho fell to music. David won the heart of God with music. Music is the food of love. It’s also the fuel for war. Music made me hate Isaac till tomorrow. Music is very powerful. Music is making Gentleman Ejeagha float on cottony clouds in the evening of his life, fulfilling the prayer of Everyman – to finish well in life; to not wear rags after donning coats of many colours, to not eat bone after eating choice meat.

By the way, who invented music? Who invented dance? There’s no historical evidence as to who invented music but dance, one of the most expressive physical art forms, evolved from prehistoric times as a celebratory worship form in spiritual rituals, creating family and communal bonds. Egypt and India are believed to be the earliest roots of dance.

There’s an unmistakable affinity between Igbo and Yoruba languages despite the political wedge being driven between the two great peoples. The Igbo call the elephant ‘enyi’ while the Yoruba call it ‘erin’. The mouth is ‘onu’ in Igbo, it’s ‘enu’ in Yoruba just as the ear, called ‘nti’ in Igbo, bears ‘eti’ in Yoruba. The hand is ‘aka’ in Igbo and goes by ‘apa’ in Yoruba while the nose is ‘imi’ in Igbo and ‘imu’ in Yoruba. Torotoro is turkey in Igbo while it’s tolotolo in Yoruba. Goat, ‘ewu’ in Igbo, is ‘ewure’ in Yoruba. Corn is ‘oka’ in both languages just as fever is ‘iba’ in both.

In 2019, the Ooni of Ife, Oba Enitan Ogunwusi, and Ohaneze Ndigbo agreed that the Igbo once lived in Ife. The Ooni, who said the Yoruba were aborigines of Ile-Ife, added, “We have to say the truth and the truth must set us all free, we (Yoruba and Igbo) are blood brothers.” But the National Deputy Publicity Secretary of Ohanaeze Ndigbo, Chuks Ibegbu, said the Igbo were the original occupants and owners of Ife before the arrival of the Yoruba. Historians should shed light on the issue.

A retired Associate Professor of English, Obafemi Awolowo University, Bolaji Aremo, whose research affirmed both Igbo and Yoruba languages were from the same parent language, said the similarities suggest that both languages lived in the same community at a time and that both ethnic groups were of the same ancestral stock.

Ejeagha is Igbo, yet the Yoruba dance ‘Gwo, gwo, gwo, ngwo’. The Igbo danced to Sina Peters’ ‘Ace’. Music is the powerful food of love.

Email: tundeodes2003@yahoo.com

Facebook: @Tunde Odesola

X: @Tunde_Odesola

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Xenophobic Attacks: Oshiomhole Tells FG To Retaliate Against South African Companies In Nigeria

Published

1 hour ago

May 5, 2026

Editor

Senator Adams Oshiomhole has called on the Federal Government to retaliate against South African businesses operating in Nigeria following the recent attacks on Nigerians in South Africa.

Speaking during plenary on Tuesday, Oshiomhole said the Federal Government should consider revoking the working license of South African owned companies such as MTN and DSTV.

He argued that Nigeria must respond firmly to what he described as persistent hostility against its citizens.

“I am not going to shed tears. If you hit me, I hit you. I think it is appropriate in diplomacy. It is an economic struggle,” Oshiomhole said.

He argued that while some South Africans accuse Nigerians of taking their jobs, Nigerians should return home and take over employment opportunities created by major South African companies operating in the country, including MTN and DSTV.

“When we hit back, the President of South Africa will not only talk but will also go on his knees to recognise that Nigeria cannot be intimidated.

“We will not condone any life being lost. If a crime has been committed under the South African law they have the right to bring any such person to justice, but to kill our people as if we are helpless, we will not allow that,” Oshiomhole added.

DAILY POST reports that several Nigerians in South Africa have reportedly been attacked, and their businesses destroyed, in ongoing xenophobic attacks in the country.

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IGP Orders Officers Display Name Tag On Uniform, Gives Update On State Police

Published

1 hour ago

May 5, 2026

Editor

The Inspector General of Police, IGP, Tunji Disu, has ordered all police personnel to always have their name tags on their uniforms for easy identification.

Disu disclosed that only police personnel who are undercover are exempted from displaying their name tags.

Speaking on Tuesday, Disu said: “All police officers should have their name tags. All of us on the high table have our names apart from the undercover among us so if you look at all the Commissioners of Police we have our name tags, so it’s not our standard.

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Court Orders SERAP To Pay DSS Operatives N100m For Defamation

Published

6 hours ago

May 5, 2026

Editor

The High Court of the Federal Capital Territory has ordered a non-governmental organization, the Socio-Economic Rights and Accountability Project, SERAP, to pay N100 million as damaged to two operatives of the Department of the State Services, DSS, for unjustly defaming them in some publications.

The court also ordered SERAP to tender public apologies to the defamed officers,
Sarah John and Gabriel Ogundele, in two national newspapers, two television stations and its website.

Besides, the organization was also ordered to pay the two operatives N1 million as cost of litigation and 10 percent post-judgment interest annually on the judgment sum until it’s fully liquidated.

Justice Yusuf Halilu of the High Court of the Federal Capital Territory gave the order on Tuesday while delivering judgment in a N5.5 billion defamation suit instituted against SERAP by the DSS operatives.

The judge found SERAP liable for unjustly defaming the two DSS operatives with allegations that they unlawfully invaded its Abuja office, harassed and intimidated its staff, in September 2024.

In the offending publication on its website and Twitter handle, SERAP alleged that the two operatives unlawfully invaded and occupied its office with sinister motives.

The judge held that the publication was in bad taste especially from an organization established to promote transparency and accountability, as nothing in the publication was found to be truthful.

The DSS staff had listed SERAP as 1st defendant in the suit marked CV/4547/2024. SERAP’s Deputy Director, Kolawole Oluwadare, was listed as the 2nd defendant.

In the suit, the claimants – Sarah John and Gabriel Ogundele – accused the two defendants of making false claims that they invaded SERAP’s Abuja office on September 9, 2024..

Counsel to the DSS, Oluwagbemileke Samuel Kehinde, had while adopting his final address in the mater urged the judge to grant all the reliefs sought by his client in the interest of justice.

He admitted that although the names of the two claimants were not mentioned in the defamation materials, they had however established substantial circumstances that they are the ones referred to in the published defamation article by SERAP on its website.

The counsel submitted that all ingredients of defamation have been clearly established and the offending publication referred to the two officials of the secret police.

However, SERAP, through its counsel, Victoria Bassey from Tayo Oyetibo, SAN, law firm, asked the court to dismiss the suit on the ground that the two claimants did not establish that they were the ones referred to in the alleged defamation materials.

She said that SERAP used “DSS officials” in the alleged offending publication, adding that the two claimants must establish that they are the ones referred to before their case can succeed.

Similar arguments were canvassed by Oluwatosin Adefioye who stood for the second defendant, adding that there was no dispute in the September 9, 2024 operation of DSS in SERAP’s office.

He said that since SERAP in the publication did not name any particular person, the claimants must plead special circumstances that they were the ones referred to as the DSS officials.

Besides, he said that there is no organization by name Department of State Services in law, hence, DSS cannot claim being defamed adding that the only entity known to law is National Security Agency.

The claimants had in the suit stated that the alleged false claim by SERAP has negatively impacted on their reputation.

The DSS also stated, in the statement of claim, that, in line with the agency’s practice of engaging with officials of non-governmental organisations operating in the FCT to establish a relationship with their new leadership, it directed the two officials – John and Ogunleye – to visit SERAP’s office and invite them for a familiarization meeting.

The claimants added that in carrying out the directive, John and Ogunleye paid a friendly visit to SERAP’s office at 18 Bamako Street, Wuse Zone 1, Abuja on September 9 and met with one Ruth, who upon being informed about the purpose of the visit, claimed that none of SERAP’s management staff was in the country and advised that a formal letter of invitation be written by the DSS.

John and Ogundele, who claimed that their interactions with Ruth were recorded, said before they immediately exited SERAP’s office, Ruth promised to inform her organisation’s management about the visit and volunteered a phone number – 08160537202.

They said it was surprising that, shortly after their visit, SERAP posted on its X (Twitter) handle – @SERAPNigeria – that officers of the DSS are presently unlawfully occupying its office.

The claimant added, “On the same day, the defendants also published a statement on SERAP’s website, which was widely reported by several media outfits, falsely alleging that some officers from the DSS, described as “a tall, large, dark-skinned woman” and “a slim, dark skinned man,” invaded their Abuja office and interrogated the staff of the first defendant (SERAP).

John and Ogundele stated that “due to the false statements published by the defendants, the DSS has been ridiculed and criticised by international agencies such as the Amnesty International and prominent members of the Nigerian society, such as Femi Falana (SAN)”.

“Due to the false statements published by the defendants, members of the public and the international community formed the opinion that the Federal Government is using the DSS to harass the defendants.”

They added that the defendants’ statements caused harm to their reputation because the staff and management of the DSS have formed the opinion that the claimants did not follow orders and carried out an unsanctioned operation and are therefore, incompetent and unprofessional.

The claimants therefore prayed the court for the following reliefs: “An order directing the defendants to tender an apology to the claimants via the first defendant’s (SERAP’s) website, X (twitter) handle, two national daily newspapers (Punch and Vanguard) and two national news television stations (Arise Television and Channels Television) for falsely accusing the claimants of unlawfully invading the first defendant’s office and interrogating the first defendant’s staff.

“An order directing the defendants to pay the claimants the sum of N5 billion as damages for the libellous statements published about the claimants.

“Interest on the sum of N5b at the rate of 10 percent per annum from the date of judgment until the judgment sum is realised or liquidated.

“An order directing the defendants to pay the claimants the sum of N50 million as costs of this action.”