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Ebenezer Obey: Unstoppable Flight Of Destiny (1) [OPINION ]

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Tunde Odesola

The newborn arrives the world knuckled up. In his clenched right fist is fate. In the left is destiny. Little wonder life is a struggle between fate and destiny. Fate is one-way; destiny is itinerant. Fate slams shut like a coffin, sealed, airtight, with a finality; destiny is open like a shelf containing storybooks portraying bad and good characters.

In the Greek classic tragedy, ‘Oedipus Rex’, which Ola Rotimi robes in African culture, to produce ‘The gods are not to blame’, youthful Odewale, by his strength and magical powers, goes on the destined road to greatness but his inescapable fate was already cemented by the gods, who had decreed he would kill his father and marry his mother. For Odewale, fate is optionless but destiny is optional. It goes to say that Man’s conquest of his weakness, his Achilles heel, is the ultimate hope in triumphing over the gods who are never to blame. Fate is divine, free will is mankind.

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It is destiny that irresistibly attracts a toddler to football. Fate makes him emerge as a World Cup winner. Lionel Messi comes to mind. Destiny magnetises a youngster to life in the military, fate kills him in a coup or propels him to power thereafter. General Murtala Muhammed and General Olusegun Obasanjo come to mind.

Explaining the Yoruba worldview on fate and free will, a Professor of Yoruba Language and Literature, Wande Abimbola, said in a telephone interview with me that fate is ‘Orí’ or ‘Àyànmó’ while he described free will as ‘Ìwà’, known in English as character or behaviour.

Abimbola, a former Vice Chancellor, Obafemi Awolowo University, said, “Western philosophy doesn’t believe fate is alterable but Yoruba philosophy believes fate could be slightly changed, at least, to make it sufferable. The Yoruba believe that fate could be changed through sacrifice, which can lessen an unfortunate fate.”

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Speaking with me on the phone, the Araba of Osogbo, Chief Ifayemi Elebuibon, said fate ‘is what will happen’, adding that destiny is ‘what a man came into the world to do’. He summarises the finality of fate in a proverb, “Lè s’ebo, lè s’ògùn, bá ti wáyé pé aó rí, ni aó rí.”

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I believe most success stories begin with a passion, followed by dedication and consistency. Focus is the headlamp in the journey to greatness. The seed of greatness can sprout on a rock or in water just as white pap comes forth from the sooty pot. Legends are not town-specific, I daresay.

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Despite advancements in science and technology, the essence of life is depreciating daily. Values are eroding, creating gullies in morality, with danger lurking in the blinding darkness called the future. Today, rats no longer squeak like rats. Birds no longer chirp like birds. Even the colours of the rainbow are no longer seven.

To lie idle, Odewale says in ‘The gods are not to blame’, is to be crippled fast. Nigeria will not be crippled fast if Nigerians start the journey to redemption now. Let’s go!

“Let’s go!” That’s the catchphrase of Chief Commander Ebenezer Obey to his band members whenever the stage is set, his fans are waiting, the atmosphere is charged, and the big masquerader is ready to enter the arena of spectacle.

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At birth, fate set him up for greatness, making his Owu mother break water in a Methodist Church, 81 years ago, in Ìdògò, a Yewa community of Ogun State. On the eighth day, he was christened Ebenezer Remilekun Aremu Olasupo Fabiyi.

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As a toddler on all fours, destiny ceaselessly crawled Ebenezer towards the choir’s pew, where he would gaze at the drums in wonderment, giggling widely, exposing his toothless gums, drooling and shaking his legs and feet in excitement. His mother would grab him and take him far away from the drums, only for him to crawl back there before his mother caught her breath. The pastor of the church, who saw the mother’s up and down movement, took the little boy from her, prayed for him and prophesied that he would grow up to be a musician.

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The mother didn’t say amen to the prayer for she wished for her son to be a medical doctor or a lawyer instead because, in her view, it was the only way he could ride a ‘pleasure car’ or go to England, Ilu Oba.

Years later, he joined the choir and rose to lead it as destined. Exhibiting exemplary leadership qualities, he also became the leader of his primary school band in Ìdògò, making the title, Commander, which he acquired much later, an affirmation of his organisational and leadership traits.

Obey, the name that eclipsed his surname, Fabiyi, wasn’t given by his parents. Obey was a name that stuck in primary school when he was a class monitor. In those days, teachers didn’t brook explanations from truant or dim-witted students, whose palms, backs and buttocks they flogged amid shouts of ‘Obey before complain!’ As a class monitor, Ebenezer would re-echo ‘obey before complain’ as the teacher’s cane stung palms, backs and buttocks, rupturing the skin. Thus Ebenezer got his Obey from ensuring obedience, more than 60 decades before ‘Obidient’ became a political movement in Nigeria.

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Obey knew he couldn’t do music in Ìdògò under the same roof with his disciplinarian mother. So, he set his sights on Lagos, where his father worked, and as soon as he finished primary school, he left the village for the city. Though his father was also strict, Lagos provided an irresistible opportunity to learn, play and grow in music.

As a teenager, he plodded the streets of Lagos in the early 50s, going home to sleep at night but always on the lookout for any place where music was being played.

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However, before moving to Lagos, Obey cut his music teeth in his village with the Ifelodun Mambo Orchestra formed by some Ìdògò elders, including his kinsman, Sabitu Ayinla Fasaasi aka Vasco Da Gama, whom Obey highly respects to date on account of being seven years older than him. Obey later invited Vasco Da Gama to join his band which he formed in Lagos, in 1957.

Speaking with me in a telephone chat, a journalist, music historian and popular content creator, Dele Adeyanju, who had done intensive research into the evolution of various Nigerian musical genres, expressed the need to preserve the origins of Nigerian music forms.

Adeyanju had done extensive interviews with leading Nigerian musicians who included the late Fatai Rolling Dollar, King Sunny Ade, Sir Shina Peters, and Segun Adewale, among others. His interview with Obey, in particular, provides answers to the journey of Juju music from the days of Agidigbo music percussion to the tonnes of sacrifices made by budding musicians before success came smiling. Adeyanju’s online TV is called Agbaletu.

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The reigning music at the time, Agidigbo, was what Chief Commander played when he first got to Lagos. When he wanted to learn the ‘agidigbo’, it was to Fatai Rolling Dollar that Obey turned, and the former, who later became his master, taught him how to play the agidigbo with five fingers, an unimaginable feat in that era because every popular musician played the agidigbo ‘expertly’ with two fingers.

Life is lived in phases. This fact throws up the following questions: What’s the meaning of Juju music? Who created Juju music? What challenges did Obey face during the evolution of his band?

• To be continued.

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Email: tundeodes2003@yahoo.com
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IELTS Speaking: How Nigerian Candidates Can Improve Their Band Score

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For most Nigerian candidates applying to study, work or migrate abroad, the IELTS Speaking test is the single most nerve-wracking 11 to 14 minutes of the entire exam.

Unlike Listening or Reading, there is no answer sheet to fall back on, and the pressure of speaking directly to a trained examiner can make it easy to freeze or, just as damagingly, over-prepare until you sound robotic.

The good news is that the test is graded against four public, named criteria, rather than a vague impression of how confident you sounded. Understanding exactly what each criterion rewards can therefore be one of the fastest ways to improve your band score.

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Understand what the examiner is listening for

Every Speaking test is scored equally across four categories: Fluency and Coherence, Lexical Resource, Grammatical Range and Accuracy, and Pronunciation, each worth 25 percent of the final band.

Fluency and Coherence measures whether you can keep talking without excessive hesitation, and whether your ideas connect logically rather than jumping around.

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Lexical Resource measures the range and precision of your vocabulary, including whether you can paraphrase a question instead of repeating the examiner’s own words back at them.

Grammatical range and accuracy looks at how varied and accurate your sentence structures are, from simple statements to more complex clauses using words like although, because, or if.

Pronunciation covers clarity, stress, and intonation, not whether you sound like a native speaker from a particular country.

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This last point matters enormously for Nigerian candidates specifically: a Nigerian accent does not lower your score. IELTS examiners are trained to assess intelligibility, not accent neutrality, and both the British Council and IELTS Australia explicitly confirm that speaking with an accent is not penalised as long as your pronunciation is clear enough to be understood without strain.

What actually costs marks is mumbling, running words together so meaning is lost, or shifting stress patterns so unpredictably that the examiner has to work to follow you. Focus your practice on clarity, not on erasing an accent that was never the problem.

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Never memorise answers

One of the biggest mistakes candidates can make in the Speaking test is relying on a memorised response, particularly in Part 2, the two-minute monologue based on a task card.

Examiners listen to many candidates and are trained to recognise rehearsed language, whether it is a pre-written answer or a generic template adapted to whatever topic appears.

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A scripted answer can sound stiff, contain unnaturally advanced vocabulary that does not match the rest of the candidate’s speech, or ignore the specific details of the task card in favour of prepared content.

When an examiner detects this, it can affect your Fluency and Coherence score because genuine coherence comes from responding directly to what was asked, rather than delivering a monologue prepared in advance.

The solution is not to avoid preparation. Instead, prepare a structure rather than memorising sentences.

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For Part 2, practise a flexible structure that covers the setup, specific details, a turning point or reflection, and what you think about the subject now. Then fill that structure with fresh details based on the topic you receive on test day.

This gives you the organisation examiners reward without the unnatural delivery of a memorised script.

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Use natural fillers and steady pace, not dramatic slowdown

It is perfectly acceptable to pause briefly to think. Natural fillers such as “That’s an interesting question” or “Let me think about that” can give you time to organise a more complex response without necessarily costing you marks.

Used sparingly, such phrases can sound like normal discourse markers rather than signs of weakness.

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However, dramatically slowing down your speech to avoid mistakes is not a good strategy.

Multiple examiner-facing sources emphasise that speaking too slowly can be just as problematic as speaking too quickly. Fluency and Coherence partly involve how naturally your language flows, and an overly cautious pace can make your speech sound unnatural or uncertain.

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The target is a steady, natural pace — similar to how you would explain something to a friend. You do not need to race through your answers, but you also should not deliberately stretch every sentence.

If you genuinely do not understand a question, do not guess or pretend you do. Politely asking the examiner to repeat or rephrase the question is explicitly stated by the British Council to have no effect on your score.

That is safer than answering a question you did not understand, because an irrelevant or confused response can affect your coherence more than a brief request for clarification.

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Use idioms only when they actually fit

Rare or idiomatic vocabulary can contribute to a strong Lexical Resource score, as the official descriptors reward the natural use of less common and idiomatic vocabulary.

The key word, however, is naturally.

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Using an idiom simply because you memorised it from a study list can work against you if it does not fit the context, is mispronounced or sounds rehearsed.

An expression that is forced into an answer can make your speech sound unnatural and may suggest that you are relying on memorised language rather than demonstrating genuine vocabulary range.

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One or two well-placed idiomatic expressions used correctly and naturally can therefore be more useful than filling your answers with several memorised phrases.

If you are not confident about an expression or it does not come to you naturally, use a clear, simple sentence instead. A natural response is preferable to a complicated phrase that is confused, forced or mispronounced.

FAQs

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Does a strong Nigerian accent negatively impact an applicant’s final IELTS speaking score?

No. Examiners assess pronunciation for clarity and intelligibility, not for how closely you sound like a native speaker of a specific variety of English. A Nigerian accent is not penalised as long as your speech is clear enough to be easily understood; unclear articulation or unpredictable stress patterns are what actually cost marks, regardless of accent.

What should a candidate do if they completely misunderstand the examiner’s question?

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Ask the examiner to repeat or rephrase it. This is explicitly permitted and, according to the British Council, does not affect your score. Guessing at an answer to a question you didn’t understand is far riskier, since it can produce an off-topic or confused response that damages your Coherence score.

How does using rare idioms correctly boost the Lexical Resource score in the IELTS exam?

Correctly used idiomatic language demonstrates the range and flexibility that the official Band 7 and above descriptors specifically call for, which can meaningfully lift a Lexical Resource score. The key word is correctly: a forced, mispronounced, or contextually awkward idiom has the opposite effect, since examiners are trained to notice when an expression sounds rehearsed or doesn’t fit the sentence around it.
(TRIBUNE)

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Group Commends COREN For Training Engineers In Engineering Failure, Forensic Investigation In Nigeria

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Foundation for the Development of Shira Community (FODESCO) in Shira Local Government Area of Bauchi state has commended the Council for the Regulation of Engineering in Nigeria (COREN) for conducting a pioneer training on Engineering Failure and Forensic Investigation (EFFI) for 50 licensed engineering practitioners across the country.

Engr. Shehu Wakili, the Chairman of the Foundation made the commendation in an interview with newsmen on Friday.

According to him, the training which was conducted by COREN in collaboration with the Nigerian Building and Road Research Institute (NBRRI) and the Chartered Institute of Forensic and Certified Fraud Investigators of Nigeria (CIFCFIN), was to equip engineers and professionals from academia, industry, and government MDAs with practical skills to investigate infrastructure failures and prevent recurring building collapses.

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He added that the training was also to build a pool of trained specialists who could investigate building collapses and other engineering failures, determine their root causes, and recommend measures to prevent recurrence, saying that the trainees would form part of a register of trained and certified forensic engineering investigators.

He further lauded COREN for the subsequent induction of its member, Engr. Abdullahi Muhammad MNSE, who among the 50 participants, hails from Bauchi state as a Chartered Engineering Forensic and Failure Investigator (CEFFI), certified by CIFCFIN.

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“FODESCO is proud of him and wishes him well in all his endeavours”, he prayed.

Wakili, also the Chairman, Nigerian Society of Engineers (NSE), Bauchi state chapter, revealed that the training covered failure analysis, forensic investigation methodologies, risk assessment, and professional reporting.

“This initiative supports broader efforts by COREN and the National Assembly to enforce stricter building codes, identify quackery, and ensure accountability across the construction sector,” he said.

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NBS: Lagos, Rivers, Enugu Top List As States Generated N5.15trn In 2025

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The National Bureau of Statistics (NBS) has disclosed that 36 states and the FCT generated a total of ₦5.15 trillion in 2025, indicating a growth rate of 40.93 percent from ₦3.65 trillion recorded in 2024.

NBS stated on Thursday citing the Nigeria Revenue Service ( NRS) as source of its information that Lagos emerged top on the list of states with the highest revenue generation in the sum of ₦1.77 trillion.

“Followed by Rivers state ₦428.42 billion and Enugu with IGR record of ₦406.77 billion in the period referenced.”

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The. Bureau said Yobe, Ebonyi and Sokoto states reported the least revenues with ₦16.01 billion, ₦17.18 billion and ₦20.48 billion, respectively.

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According to NBS, Pay As You Earn (PAYE) was the most tax revenue recorded during the period, valued at ₦2.64 trillion, representing 69.51 percent of the total tax revenue collected, while capital gains tax was the least with ₦12.40 billion while the share of total tax revenue to total IGR was 73.64 percent nationally.

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“Other states and their share of IGR are FCT – N356.34 billion, Ogun – N252.36 billion, Delta – N202.49 billion, Edo – N132.21 billion, Oyo – N103.25 billion and Kano – N102.26 billion.

“Ten other states in lowest category of IGR include Yobe – N16.01 billion, Ebonyi – N17.18 billion, Sokoto – N20.48 billion, Taraba – N28.16 billion ; Benue – N29.57 billion, Zamfara – N30.07 billion, Kebbi – N31.23 billion, Nasarawa – N32.57 billion, Adamawa – N33.76 billion andcBorno – N36.36 billion “.

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NBS noted that the states generated their most and least revenue from taxes and other government sources. “PAYE was the dominant revenue source nationally, generating N2.64 trillion and accounting for 69.51% of total tax revenue for the year.

“Other sources included direct assessment, road taxes, stamp duties, withholding taxes and capital gains tax, which was the smallest contributor at N12.40 billion,” the Bureau stated.

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