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OPINION: Mike Ejeagha And The Power Of Music

Published

1 year ago

August 2, 2024

Tunde Odesola

I grew up hating my name, Isaac, after listening to Fela Anikulapo-Kuti’s song, Upside Down, which he did with his American soulmate, Sandra Isidore, in 1976. Apart from his mother, the king-dethroning Madam Olufunmilayo Ransome-Kuti, Sandra was a major influence in the radicalisation of Fela, burnishing his art and heart with the socio-political wildfires called Blackness and Africanness spreading across the US, Europe and Africa to other parts of the world at the time.

Harnessing the genius of multi-talented designer, artist, painter and illustrator, Lemi Ghariokwu, whose brush drenched the sleeves of Fela’s albums in rainbowy colours, the Afrobeat god granted Ghariokwu the artistic licence to design and write the lyrics of his songs on his album sleeves. Ghariokwu made the best of the opportunity presented by Fela, soaring to world acclaim. The sleeve designs of ‘Yellow Fever’, ‘Zombie’ and ‘Beasts of No Nation’ are still vividly etched in my memory.

Not novel to the Nigerian music industry, the illustrations and lyrics on Fela’s album sleeves made it easy for his lovers and haters to understand the anger in his protest songs. Personally, the illustrations and lyrics made me internalise his gospel, though I was young.

Despite being a consummate Christian, my father, who was his fan, didn’t know he was planting the seeds of Black African consciousness in me by buying Fela’s albums. I remember my mother also bought the 1973 album of St Gregory’s College teenage students’ group, Ofege, titled ‘Try and Love’.

Leader of the group, Melvin Ukachi, revealed that Ofege was an abridged form of ‘O fo gate’, which means ‘he jumped the gate,’ a term used for Army deserters on French leave aka AWOL or students who left the dormitory without permission.

Isaac!? “No, I’m not sick,” I would say – in derision of my name – and would tell whoever cared to listen how wrong it was for me, a Yoruba, to bear a Jewish name when Jews don’t bear Yoruba names. In my fledgling ideological radicalism, I saw reason in Fela and Sandra, who sang in ‘Upside Down’ that, “Englishman get English name, American man get American name, German man get German name, Russian man get Russian name, Chinese man get Chinese name, but African man no dey get African name…everything disorganise, patapata…”

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As a youngster, I never plucked up the courage to tell my parents how much I disliked the Isaac name. Who born me? But when I came of age, I did tell my father how kobo-wise and naira-foolish I think it was for anyone to go to Jerusalem or Mecca on pilgrimage in the hope of making it to Paradise. I also told him how illogical I think it was for Nigerians to communicate with God in foreign languages such as Arabic, Italian, Hebrew etc when God understands all languages.

Fela intended his songs as a tool for social change. With the cult following he enjoyed, Fela knew his songs would sprout disciples in many nations. Though I didn’t smoke marijuana, I became a disciple of Fela’s gospel, always leaving my shirt unbuttoned at the chest, a behaviour which often fetched my mother’s swift ‘ifakun’ slap on my flat-screen chest, ‘twai’; ‘it’s not in this house you will become a Fela disciple! Button up, you goat!’

Just 18 when he met Fela, Ghariokwu had done a portrait of the Abami Eda and went to present the work to him. Fela reportedly offered Ghariokwu four times the worth of the painting but the creative turned down the money, thus earning a lifetime ticket to Kalakuta Republic.

As a result of his diligence with Fela, self-taught Ghariokwu achieved international repute, exhibiting in major museums across the globe, granting interviews to global media organisations, including CNN and designing album covers for Bob Marley, Osita Osadebe, Kris Okotie, Lucky Dube, Miriam Makeba etc. Also, he designed album covers for 2Face, Lagbaja, Sound Sultan, Falz, Brymo and record labels such as EMI, CBS and Ivory Music. He also recorded a song, Omolakeji, in 1992, featuring Daniel Wilson aka Mr Ragamuffin.

At 94, folklorist and master guitarist – Gentleman Mike Ejeagha – is at the Departure Lounge of Life International Airport, awaiting his last flight. A soft female voice wafted through the airport’s Public Address System, saying: “Passenger No 01-08-1932, Pa Mike Ejeagha, your attention is needed. You are about to board the wrong flight. Please, go back to the Arrival Lounge, a convoy is waiting to take you back home, courtesy of popular comedian, Brain Jotter.”

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And Gentleman Ejeagha burst into tears.

In music, folderol is a refrain with no meaning though it may be rhythmic. ‘Gwo, gwo, gwo, ngwo’ is a folderol, just as ‘Eweku ewele’, the Yoruba version of ‘Gwo, gwo, gwo, ngwo’ is. ‘Gwo, gwo, gwo, ngwo’ and ‘Ewku ewele’ are refrains in the Igbo and Yoruba folktales that showcase how little Tortoise differently tricked the almighty Elephant. ‘A o m’erin j’oba’ is the Yoruba version of the folktale. At best, both refrains signify the footfalls of the Elephant: ‘Gwo, gwo, gwo, ngwo’, ‘Eweku ewele’.

Ejeagha had only been known within the resilient Biafra enclave until fate blew fame his way recently, after his 1983 song, Ka Esi Le Onye Isi Oche, became the 14th most searched song in the world because the song went viral when Brain Jotter created a funny dance step and used the song in his comic skit.

In Igbo land, the name Mike Ejegbha is synonymous with storytelling such that whenever someone is engaging in a long speech, the audience would say, ‘Akuko Mike Ejeagha,’ meaning ‘Storytelling like Mike Ejeagha’.

Ejeagha simply means ‘Safe journey’. As a nonagenarian, one of the prayers of the Imezi Owa-born indigene of Enugu State would include a safe journey back home to his Maker for he had run a good race, fought a good fight and was waiting on his Lord before Brain Jotter appeared in the sky to give him fresh wings to fly, once again, among stars. It’s destined that Ejeagha’s song would be sung by this generation.

You can’t enjoy Ka Esi Le Onye Isi Oche if you play it on mobile devices. Get the music on a stereo and hear the booming ‘udu’ tempering the classic guitar work played on D major scale. It’s crazy.

Over the years, degeneration in moral values has seen Nigerian society abandon didactic musical messages for the current hurricane of irritatingly noisy music full of fury, materialism, sex, ritualism and outright stupidity.

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Music is powerful. I should add ‘very’ to the power of music. The walls of Jericho fell to music. David won the heart of God with music. Music is the food of love. It’s also the fuel for war. Music made me hate Isaac till tomorrow. Music is very powerful. Music is making Gentleman Ejeagha float on cottony clouds in the evening of his life, fulfilling the prayer of Everyman – to finish well in life; to not wear rags after donning coats of many colours, to not eat bone after eating choice meat.

By the way, who invented music? Who invented dance? There’s no historical evidence as to who invented music but dance, one of the most expressive physical art forms, evolved from prehistoric times as a celebratory worship form in spiritual rituals, creating family and communal bonds. Egypt and India are believed to be the earliest roots of dance.

There’s an unmistakable affinity between Igbo and Yoruba languages despite the political wedge being driven between the two great peoples. The Igbo call the elephant ‘enyi’ while the Yoruba call it ‘erin’. The mouth is ‘onu’ in Igbo, it’s ‘enu’ in Yoruba just as the ear, called ‘nti’ in Igbo, bears ‘eti’ in Yoruba. The hand is ‘aka’ in Igbo and goes by ‘apa’ in Yoruba while the nose is ‘imi’ in Igbo and ‘imu’ in Yoruba. Torotoro is turkey in Igbo while it’s tolotolo in Yoruba. Goat, ‘ewu’ in Igbo, is ‘ewure’ in Yoruba. Corn is ‘oka’ in both languages just as fever is ‘iba’ in both.

In 2019, the Ooni of Ife, Oba Enitan Ogunwusi, and Ohaneze Ndigbo agreed that the Igbo once lived in Ife. The Ooni, who said the Yoruba were aborigines of Ile-Ife, added, “We have to say the truth and the truth must set us all free, we (Yoruba and Igbo) are blood brothers.” But the National Deputy Publicity Secretary of Ohanaeze Ndigbo, Chuks Ibegbu, said the Igbo were the original occupants and owners of Ife before the arrival of the Yoruba. Historians should shed light on the issue.

A retired Associate Professor of English, Obafemi Awolowo University, Bolaji Aremo, whose research affirmed both Igbo and Yoruba languages were from the same parent language, said the similarities suggest that both languages lived in the same community at a time and that both ethnic groups were of the same ancestral stock.

Ejeagha is Igbo, yet the Yoruba dance ‘Gwo, gwo, gwo, ngwo’. The Igbo danced to Sina Peters’ ‘Ace’. Music is the powerful food of love.

Email: tundeodes2003@yahoo.com

Facebook: @Tunde Odesola

X: @Tunde_Odesola

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How I and Obey’s Son Escaped Getting Caught In Benin’s Coup —Dele Momodu

Published

1 hour ago

December 7, 2025

Editor

The 2011 presidential flagbearer of the National Conscience Party (NCP), Chief Dele Momodu has revealed how he and his entourage missed getting caught in Benin Republic’s coup on Sunday.

A group of military personnel in Benin on Sunday announced that they had ousted President Patrice Talon, who is due to step down next April after 10 years in power.

Soldiers calling themselves the “Military Committee for Refoundation” (CMR), said on state television that they had met and decided that “Mr Patrice Talon is removed from office as president of the republic”.

Reacting to the news via a post on his official X account, Momodu said he and his entourage would have been caught in Benin Republic’s coup if not for a missing document.

“OUR GOD DID THIS FOR US… My friend ROTIMI OBEY, the second son of legendary musician, CHIEF COMMANDER EBENEZER OBEY and I were to head out to Accra, Ghana, by road, this morning. All was set and ROTIMI went to bed early so that we can set out at 5am. But something went wrong,” he said.

“Before going to bed, I asked my driver for the originals of my car documents. He said he had only the copies with him. I searched the Home Office in Victoria Island but I couldn’t find it. I then went to the Penthouse in Ikoyi to check my other office. Still no luck. So , I called ROTIMI at 10:38 PM to give him the decision to fly instead of driving. He agreed.

“Meanwhile, my Beninese friend and mentee, ALEX DALMEIDA, was already in town waiting to accompany us through the French-speaking borders. So I called him at 23:02 last night to abort our road trip.

“I called PRECIOUS, my travel consultant, to check available flights. She got us tickets at 11:15PM. It was at the airport we received the news of the coup in Benin Republic… We barely missed it by the whiskers…”

Soldiers led by Lieutenant Pascal Tigri announced that they have taken over the country. They also suspended all political parties and announced the closure of land, sea and air borders.

Speaking further, Momodu expressed surprise at the coup attempt, saying: “Benin is one of West Africa’s most peaceful countries.

“The Benin’s President changed the constitution just last month to allow him extend his presidential term, this morning the military has overthrown him.”

Talon’s entourage has, however said that the Benin Republic President is safe and the army was regaining control.

Talon, a 67-year-old former businessman dubbed the “cotton king of Cotonou”, is due to hand over power in April next year after 10 years in office marked by solid economic growth but also a surge in jihadist violence.

West Africa has experienced a number of coups in recent years, including in Benin’s northern neighbours Niger and Burkina Faso, as well as Mali, Guinea and, most recently, Guinea-Bissau.

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OAU Unveils Seven-foot Bronze Statue Of Chief Obafemi Awolowo

Published

8 hours ago

December 7, 2025

Editor

…Yemisi Shyllon, other dignitaries praise Awo’s commitment to humanity

A giant bronze statue of the sage, Chief Obafemi Awolowo, was unveiled on Friday at the Obafemi Awolowo University (OAU), Ile Ife.

The statue, the worth of which was put at N120 million by the donor, has the sage dressed in his Senior Advocate of Nigeria (SAN) attire. It is of a height of seven feet, which goes to 15 feet after the inclusion of the pedestal.

Speaking at the unveiling, the Vice Chancellor of the university, Professor Adebayo Bamire, stated that the statue is a legacy project for the university.

Professor Bamire said the statue was a celebration of Chief Awolowo’s selfless service to humanity and expressed the appreciation of the university to the donor, Prince Yemisi Shyllon.

Prof Bamire noted that the life of Chief Awolowo should serve as a lesson for all to live for the good of the people.

“It is known that the soul of any civilisation, the very pulse of its humanity, beats strongest on its art, on its music, its literature, its visual splendour and its performances. This affirmation resonates with the Obafemi Awolowo University academic philosophy: ‘for learning and culture’—a culture of creativity and a creative culture.

“The donor of the statue, Prince Yemisi Shyllon, is a man whose name resonates across continents. He is Africa’s foremost art collector, an accomplished creative mind, a committed philanthropist of extraordinary vision and a relentless advocate for cultural advancement and one of the most remarkable cultural ambassadors of our time.

“For a university like ours, dedicated to the holistic development of mind and spirit, this example is a beacon. It reinforces our own commitment to ensuring that the sciences converge with the humanities, that innovation dances with tradition and that our graduates are as culturally literate as they are professionally skilled.

“This iconic piece will not only beautify our campus but also serve as a permanent cultural marker, reminding future generations of the ideals of leadership, service, excellence and intellectual courage upon which this university was founded,” the Vice Chancellor said.

Speaking, the donor of the statue, Prince Yemisi Shyllon, stated that the project was aimed at celebrating Papa Awolowo for living a purpose-driven life.

Prince Shyllon said conceiving the project and funding it was his own way of saying thank you to Chief Awolowo for the sterling leadership he gave his people and for showing what meaningful life meant.

“Indeed, many people solely focus on material wealth, such as having cars, building and buying properties, buying private jets, jewelries and the many other worthless and selfish illusions of life, that are generally not meaningful to the real essence of human life,” he said.

He added that Chief Awolowo would be remembered forever for living for what was right and just even as he listed some of the enduring legacies of the sage.

Prince Shyllon pointed at “free education in the old Western Region, and other landmark projects such as the Cocoa House, Western Nigeria Television, Liberty Stadium, industrial estates, farm settlements and the Obafemi Awolowo University, among others” as worthy legacies left behind by Chief Awolowo.

Shyllon noted that the sage was a man who could be best described as an example of a person who lived a “meaningful life.”

He added that Chief Awolowo lived his life planting seeds for generations while leaving his indelible footprints on the sands of time.

He charged all to live the kind of life that would make humanity remember them for something positive, “just as Papa Obafemi Awolowo, who died 38 years ago.”

He stressed that the Holy Qur’an and the Bible preach the act of showing love to the needy, adding that all should not give to the needy for the purpose of getting anything in return.

“Life is full of emptiness. Awolowo lived a meaningful, purpose-driven life and planted seeds through his various selfless services to humanity before his exit. That is why he is celebrated every day since he died 38 years ago,” he said.

In his remarks, Chairman, African Newspapers of Nigeria (ANN) Plc, publishers of the Tribune titles, and daughter of Chief Awolowo, Dr Olatokunbo Awolowo Dosumu, thanked Prince Shyllon for donating the statue.

She also appreciated the university for being receptive to the idea and for keeping the legacy of Chief Awolowo alive.

Ambassador Awolowo Dosumu, who was represented by the Editor, Saturday Tribune, Dr Lasisi Olagunju, noted that the project was a celebration of selfless service to the people which was what Chief Awolowo lived for.

“History is always there to reward selfless leadership and expose pretenders. We are here today in celebration of an uncommon man who died 38 years ago. This honour, this statue is a demonstration of what immortality means.

“Chief Awolowo gave his very best in the service of the people. We appreciate the donor, Prince Yemisi Shyllon, for the gesture and also appreciate the university for giving the right space for the erection of the statue. Good life is about services; what we are celebrating today is history’s reward for Chief Awolowo’s selflessness.

“Papa was one leader who believed that service to the people is a rent paid for the space we occupy in this world. The Awolowo family appreciates this monument and thanks the donor and the sculptor for doing a great job,” he said.

He urged students of the institution to learn from the life lived by Chief Awolowo and rededicate themselves to noble causes.

At the ceremony were principal officers of the university and other dignitaries, including Senator Babafemi Ojudu, who also said positive things about Chief Awolowo and the leadership he gave the Nigerian people.
(TRIBUNE)

News

FULL LIST: FG Selects 20 Content Creators For Tax Reform Education

Published

8 hours ago

December 7, 2025

Editor

The Federal Government has released a list of 20 content creators selected to support public education on Nigeria’s ongoing tax reforms.

The Presidential Fiscal Policy and Tax Reforms Committee issued the announcement, which was posted on Thursday by its chairman, Taiwo Oyedele, on X.

The list, titled “Top 20 Content Creators for Tax Reform Education,” was shared after the organisers received 8,591 nominations covering more than 200 creators.

The organisers said the selected creators will attend a special training session designed to deepen their understanding of the new tax laws so they can share clearer and more balanced information with their audiences.

They encouraged Nigerians to tag any creator on the list and ask them to confirm their interest by completing the acceptance form.

“If your favourite creator is on the list, tag or mention them and ask them to confirm their interest by completing this form: forms.gle/Ph49kSE4okDf6g….

“Deadline for acceptance is Monday, 8 December 2025.

“Tell us the areas of interest and key issues you’d like the training to focus on in the comments section.”

According to the announcement, the creators were ranked by their followership across major platforms. The top 20 include:

1. Financial Jennifer

2. Onlinebanker

3. Don Aza

4. Mary Efombruh

5. Baba Ogbon Awon Agba International

6. Perpetual Badejo

7. Personalfinancegirl

8. Tomi Akinwale

9. Emeka Ayogu