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OPINION: Mike Ejeagha And The Power Of Music

Tunde Odesola
I grew up hating my name, Isaac, after listening to Fela Anikulapo-Kuti’s song, Upside Down, which he did with his American soulmate, Sandra Isidore, in 1976. Apart from his mother, the king-dethroning Madam Olufunmilayo Ransome-Kuti, Sandra was a major influence in the radicalisation of Fela, burnishing his art and heart with the socio-political wildfires called Blackness and Africanness spreading across the US, Europe and Africa to other parts of the world at the time.
Harnessing the genius of multi-talented designer, artist, painter and illustrator, Lemi Ghariokwu, whose brush drenched the sleeves of Fela’s albums in rainbowy colours, the Afrobeat god granted Ghariokwu the artistic licence to design and write the lyrics of his songs on his album sleeves. Ghariokwu made the best of the opportunity presented by Fela, soaring to world acclaim. The sleeve designs of ‘Yellow Fever’, ‘Zombie’ and ‘Beasts of No Nation’ are still vividly etched in my memory.
Not novel to the Nigerian music industry, the illustrations and lyrics on Fela’s album sleeves made it easy for his lovers and haters to understand the anger in his protest songs. Personally, the illustrations and lyrics made me internalise his gospel, though I was young.
Despite being a consummate Christian, my father, who was his fan, didn’t know he was planting the seeds of Black African consciousness in me by buying Fela’s albums. I remember my mother also bought the 1973 album of St Gregory’s College teenage students’ group, Ofege, titled ‘Try and Love’.
Leader of the group, Melvin Ukachi, revealed that Ofege was an abridged form of ‘O fo gate’, which means ‘he jumped the gate,’ a term used for Army deserters on French leave aka AWOL or students who left the dormitory without permission.
Isaac!? “No, I’m not sick,” I would say – in derision of my name – and would tell whoever cared to listen how wrong it was for me, a Yoruba, to bear a Jewish name when Jews don’t bear Yoruba names. In my fledgling ideological radicalism, I saw reason in Fela and Sandra, who sang in ‘Upside Down’ that, “Englishman get English name, American man get American name, German man get German name, Russian man get Russian name, Chinese man get Chinese name, but African man no dey get African name…everything disorganise, patapata…”
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As a youngster, I never plucked up the courage to tell my parents how much I disliked the Isaac name. Who born me? But when I came of age, I did tell my father how kobo-wise and naira-foolish I think it was for anyone to go to Jerusalem or Mecca on pilgrimage in the hope of making it to Paradise. I also told him how illogical I think it was for Nigerians to communicate with God in foreign languages such as Arabic, Italian, Hebrew etc when God understands all languages.
Fela intended his songs as a tool for social change. With the cult following he enjoyed, Fela knew his songs would sprout disciples in many nations. Though I didn’t smoke marijuana, I became a disciple of Fela’s gospel, always leaving my shirt unbuttoned at the chest, a behaviour which often fetched my mother’s swift ‘ifakun’ slap on my flat-screen chest, ‘twai’; ‘it’s not in this house you will become a Fela disciple! Button up, you goat!’
Just 18 when he met Fela, Ghariokwu had done a portrait of the Abami Eda and went to present the work to him. Fela reportedly offered Ghariokwu four times the worth of the painting but the creative turned down the money, thus earning a lifetime ticket to Kalakuta Republic.
As a result of his diligence with Fela, self-taught Ghariokwu achieved international repute, exhibiting in major museums across the globe, granting interviews to global media organisations, including CNN and designing album covers for Bob Marley, Osita Osadebe, Kris Okotie, Lucky Dube, Miriam Makeba etc. Also, he designed album covers for 2Face, Lagbaja, Sound Sultan, Falz, Brymo and record labels such as EMI, CBS and Ivory Music. He also recorded a song, Omolakeji, in 1992, featuring Daniel Wilson aka Mr Ragamuffin.
At 94, folklorist and master guitarist – Gentleman Mike Ejeagha – is at the Departure Lounge of Life International Airport, awaiting his last flight. A soft female voice wafted through the airport’s Public Address System, saying: “Passenger No 01-08-1932, Pa Mike Ejeagha, your attention is needed. You are about to board the wrong flight. Please, go back to the Arrival Lounge, a convoy is waiting to take you back home, courtesy of popular comedian, Brain Jotter.”
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And Gentleman Ejeagha burst into tears.
In music, folderol is a refrain with no meaning though it may be rhythmic. ‘Gwo, gwo, gwo, ngwo’ is a folderol, just as ‘Eweku ewele’, the Yoruba version of ‘Gwo, gwo, gwo, ngwo’ is. ‘Gwo, gwo, gwo, ngwo’ and ‘Ewku ewele’ are refrains in the Igbo and Yoruba folktales that showcase how little Tortoise differently tricked the almighty Elephant. ‘A o m’erin j’oba’ is the Yoruba version of the folktale. At best, both refrains signify the footfalls of the Elephant: ‘Gwo, gwo, gwo, ngwo’, ‘Eweku ewele’.
Ejeagha had only been known within the resilient Biafra enclave until fate blew fame his way recently, after his 1983 song, Ka Esi Le Onye Isi Oche, became the 14th most searched song in the world because the song went viral when Brain Jotter created a funny dance step and used the song in his comic skit.
In Igbo land, the name Mike Ejegbha is synonymous with storytelling such that whenever someone is engaging in a long speech, the audience would say, ‘Akuko Mike Ejeagha,’ meaning ‘Storytelling like Mike Ejeagha’.
Ejeagha simply means ‘Safe journey’. As a nonagenarian, one of the prayers of the Imezi Owa-born indigene of Enugu State would include a safe journey back home to his Maker for he had run a good race, fought a good fight and was waiting on his Lord before Brain Jotter appeared in the sky to give him fresh wings to fly, once again, among stars. It’s destined that Ejeagha’s song would be sung by this generation.
You can’t enjoy Ka Esi Le Onye Isi Oche if you play it on mobile devices. Get the music on a stereo and hear the booming ‘udu’ tempering the classic guitar work played on D major scale. It’s crazy.
Over the years, degeneration in moral values has seen Nigerian society abandon didactic musical messages for the current hurricane of irritatingly noisy music full of fury, materialism, sex, ritualism and outright stupidity.
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Music is powerful. I should add ‘very’ to the power of music. The walls of Jericho fell to music. David won the heart of God with music. Music is the food of love. It’s also the fuel for war. Music made me hate Isaac till tomorrow. Music is very powerful. Music is making Gentleman Ejeagha float on cottony clouds in the evening of his life, fulfilling the prayer of Everyman – to finish well in life; to not wear rags after donning coats of many colours, to not eat bone after eating choice meat.
By the way, who invented music? Who invented dance? There’s no historical evidence as to who invented music but dance, one of the most expressive physical art forms, evolved from prehistoric times as a celebratory worship form in spiritual rituals, creating family and communal bonds. Egypt and India are believed to be the earliest roots of dance.
There’s an unmistakable affinity between Igbo and Yoruba languages despite the political wedge being driven between the two great peoples. The Igbo call the elephant ‘enyi’ while the Yoruba call it ‘erin’. The mouth is ‘onu’ in Igbo, it’s ‘enu’ in Yoruba just as the ear, called ‘nti’ in Igbo, bears ‘eti’ in Yoruba. The hand is ‘aka’ in Igbo and goes by ‘apa’ in Yoruba while the nose is ‘imi’ in Igbo and ‘imu’ in Yoruba. Torotoro is turkey in Igbo while it’s tolotolo in Yoruba. Goat, ‘ewu’ in Igbo, is ‘ewure’ in Yoruba. Corn is ‘oka’ in both languages just as fever is ‘iba’ in both.
In 2019, the Ooni of Ife, Oba Enitan Ogunwusi, and Ohaneze Ndigbo agreed that the Igbo once lived in Ife. The Ooni, who said the Yoruba were aborigines of Ile-Ife, added, “We have to say the truth and the truth must set us all free, we (Yoruba and Igbo) are blood brothers.” But the National Deputy Publicity Secretary of Ohanaeze Ndigbo, Chuks Ibegbu, said the Igbo were the original occupants and owners of Ife before the arrival of the Yoruba. Historians should shed light on the issue.
A retired Associate Professor of English, Obafemi Awolowo University, Bolaji Aremo, whose research affirmed both Igbo and Yoruba languages were from the same parent language, said the similarities suggest that both languages lived in the same community at a time and that both ethnic groups were of the same ancestral stock.
Ejeagha is Igbo, yet the Yoruba dance ‘Gwo, gwo, gwo, ngwo’. The Igbo danced to Sina Peters’ ‘Ace’. Music is the powerful food of love.
Email: tundeodes2003@yahoo.com
Facebook: @Tunde Odesola
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Senate Confirms Ex-CDS Musa As Defence Minister After Five-hour Screening

The Senate on Wednesday confirmed the appointment of a former Chief of Defence Staff, Gen. Christopher Musa (retd.), as Nigeria’s new Minister of Defence following a rigorous five-hour screening by lawmakers.
During the confirmation hearing, Musa faced tough questions on recent security lapses, including the withdrawal of troops from Government Comprehensive Girls Secondary School, Maga, in Kebbi State, shortly before the abduction of schoolgirls on November 17.
The incident sparked national outrage.
Musa assured the Senate that he would immediately set up a full-scale investigation into the troop withdrawal once he assumes office.
He also vowed to probe the recent killing of a brigade commander in Borno State, Brigadier General Musa Uba, and other attacks targeting military officers.
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He said, “It is very unfortunate and really painful. I want to assure Nigerians that we will not stand by and have terrorists have the capacity to do such.
“We are going to go after them fully, working together with all the security agencies and Ministries, Departments and Agencies (of government). We are going to investigate fully.
“The Armed Forces have a way, and then from the defence, we are going to make sure that we continue with the oversight over their activities.”
The nominee highlighted gaps within the armed forces and called for enhanced funding, strengthened community engagement, and coordinated inter-agency operations.
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He also emphasised the need to protect schools through the Safe Schools Initiative and a zero-tolerance approach to terrorism and banditry.
The screening session saw moments of tension in the chamber.
Senator Sani Musa (APC, Niger East) suggested Musa be allowed to “take a bow and go,” prompting protests from lawmakers, including Senator Garba Maidoki (PDP, Kebbi South).
Senate President, Godswill Akpabio, intervened, urging a thorough screening and noting that Nigerians and the international community were closely watching the process.
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Musa, nominated on Tuesday by President Bola Tinubu following the resignation of Defence Minister, Badaru Mohammed, on health grounds, pledged to prioritise the protection of lives and national territory.
“I pledge to do my best to ensure that Nigeria is secure and safe.
“We need the support of everyone, every Nigerian, working together as a team, because it’s going to be a team effort.
“The enemies we are dealing with are evil forces that don’t mean well for this country and have no respect for human lives… If we don’t work together, we will allow them to perpetrate the evil acts they have been doing,” he said.
His confirmation comes amid heightened concerns over nationwide kidnappings, insurgency and mass abductions.
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NUC Gets €3m Loan To Start ICT Projects In Varsities

This initiative, known as the Blueprint-ICT-Dev Project, aims to upgrade digital infrastructure, strengthen ICT capabilities, and promote digital literacy in these institutions.
The National Universities Commission says it has received €3m as the first tranche of the $40 million loan secured from the French Development Agency to support Information, Communication and Technology projects in 10 selected universities across the country.
Executive Secretary of the commission, Abdullahi Ribadu, announced this during the inaugural meeting of the 13th NUC Board on Wednesday at the commission’s headquarters in Abuja.
Ribadu noted that since he assumed office about a year ago, the commission has pushed forward initiatives centred on research, entrepreneurship, digital transformation and skills development across Nigerian universities.
“We have secured $40 million loan from the French Development Agency for the ICT Blueprint Project in 10 selected universities. We have strengthened – only yesterday, the director confirmed to me that the first tranche of €3m has been deposited in our CBN account to kick-start the process.
“We have strengthened internal financial management, expanded access to university education through the licensing of new private universities, and approved new programmes and units.
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“We have also supported the take-off of publicly funded universities, expanded open and distance learning centres, and continued system-wide quality assurance exercises. Currently, the 2025 Accreditation Exercise is ongoing.
“These priorities continue to form the foundation of the Commission’s direction, and I am seeking your support in advancing them,” he said.
Ribadu assured the board of the commission’s full cooperation, saying the management stands ready to draw from the members’ expertise.
“We will rely on your wisdom to guide us as we carry out our duties. I am confident that your collective experience will strengthen the commission’s capacity to guide the Nigerian university system at a time when higher education continues to evolve.
“We also look forward to using your networks to help advance projects and partnerships that will benefit the Commission and the entire university system,” he added.
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On his part, Chairman of the 13th NUC Board, Emeritus Professor Oluremi Aina, thanked President Bola Tinubu for his sustained support for the university sector.
He said the board is assuming its mandate at a time of transition for higher education, with global standards rising and expectations increasing.
Aina outlined five central pillars that will guide the Board’s work, covering performance evaluation, improved university rankings, digital literacy, research and institutional reforms.
He said, “As we settle into this assignment, but permit me to present what I call five pillars that I believe will help guide our stewardship. One, evaluation of NUC performance.
“We must examine in detail the Act that buffered and laid the foundation for the NUC. We also need to be conversant with the various amendments to the act, its vision and mission, guiding principles and ethics.
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“Then we must study the commission’s operational challenges and landmark achievements. Going forward, we should compare ourselves against global standards, not sentiments, not history, and where we fall short, how we fall short, and why we must adjust boldly. Two, aligning with the renewed hope agenda of the present administration, the president has made education a pillar of national rebirth with the establishment of the fund and other initiatives.
“The signal sent to the world is that Nigeria is ready to reset and rebuild. Through our assignment, we must lead other key stakeholders in the higher education sector. In pragmatically resolving the naughty and nagging agitation of the academic staff union and other university unions.
“Advancements must also be made to enhance digital literacy and especially the use of artificial intelligence, AI, as tools to strategically reposition the universities nationally and internationally. Overall, it will also be a priority for the 13th board to work with the management for radical improvements in both the global and webometric ranking of our universities.”
He added, “Three, identifying and dismantling obstacles to university quality. Governance deficiencies, fund constraints, research stagnation, et cetera, must no longer be accepted as normal. Our duty is to reform and make progress, not to manage decline.
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“Four, reviewing existing funding and exploring new channels for sustainable funding. Nigerian universities cannot thrive on ingenuity alone. The board must intensify the research for alternative funding sources. Strengthen utilisation and explore emerging and local opportunities.
“And five, investing in the welfare and capacity of NUC staff and regulatory infrastructure. The system cannot overperform its operators. Credible accreditation and monitoring require strengthened conditions of service and protected regulatory independence.”
Aina added that the board would fully leverage technology in its operations.
“We will seek to leverage technology to ease our burden through the adoption of digital platforms for the advancement of our collective objectives. And I have a charge for the board.
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“This board, in whom I am well-pleased, carries with it the weight of expectations and aspirations of the Nigerian people,” he said.
Earlier this year, the French Development Agency provided a €38 million credit facility to the National Universities Commission to support the digital transformation of 10 federal universities in Nigeria.
This initiative, known as the Blueprint-ICT-Dev Project, aims to upgrade digital infrastructure, strengthen ICT capabilities, and promote digital literacy in these institutions.
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Satguru Maharaj Pledges To Facilitates Kanu Release If…

The founder of One Love Family, Satguru Maharaj Ji, has vowed to get the incarcerated leader of the proscribed Igbo group, Indigenous People of Biafra, Nnamdi Kanu, released if the Biafra radio and sit-at-home order are stopped.
Maharaj Ji stated this while speaking in an interview granted to his temple’s in-house radio on Wednesday.
According to him, the IPOB leader was culpable of the terrorism charges levelled against him, and anyone guilty is liable to a death sentence.
He said, “We are, however, grateful that the matter has been put on hold in the sense that, by the accusations, it is always going to be death, looking at the level of crimes attached to him, with the way and manner the constitution is written. Anybody who is accused of doing such a thing (terrorism) is sentenced to death. It is only out of grace that Kanu was able to escape.
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“So now it has to be by political settlement before he (Kanu) can be released, and it will be addressed in so many ways. For anyone advocating for his pardon, they have to take positive steps. In other words, they must not do so with empty hands; they should stop the Biafra radio wherever it is. Secondly, the sit-at-home order should be stopped, and the judgment should be accepted while the Igbo elders go behind the scenes to analyse and explain to the President.
“Today, the Igbos have been brought to the central realms of politics by Tinubu. And the Northern caliphate is not happy about it. They are not excited about the commission they were given…They should stop the propaganda that the East is about to be Islamised. When those are done, I know how to watch it out, Kanu will come out. I will help facilitate his release.“
The cleric joined the likes of Abia State governor, Alex Otti, activist Omoyele Sowore, and other South-East leaders to intensify efforts to secure the release of detained Kanu through a political arrangement, assuring residents of the region that “all hope is not lost.”
On Tuesday, Otti met Tinubu at the State House, Abuja, after visiting Kanu in the Sokoto prison facility, where the IPOB leader is serving his sentence.
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Otti’s meeting with the President is believed to be part of ongoing engagements aimed at securing the release of the detained Kanu.
Recall that Kanu bagged a life sentence instead of the death penalty after the presiding judge, Justice James Omotosho, handed down the sentence on counts one, two, four, five, and six.
The judge also handed Kanu a 20-year jail term on count three, with no option of fine, and a five-year jail term on count seven, with no option of fine.
Justice Omotosho delivered the judgment after convicting Kanu on all seven counts of terrorism offences.
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