News

Owei Takes Birinimigha In Marriage

Published

6 years ago

November 22, 2019

Owei and his new wife in the middle

Freetown Pereama, the Grandmaster of Ijaw music in one of his albums sings, paraphrase: ‘izon mo oniye mo, oniye mo, oniye mo, kemetubo pagha yẹ ere nanagha egberi gbolo de yẹ; keme tubo pagha tubọ zigha ye egberi gbolo dé ye…’ Meaning: Ijaw and their ways of doing things/thinking, a man born to this world, he is not married as when due (matured), Ijaw will be called names, talk about him and owe all sort of erroneous beliefs about him; a man born into this world, he does not bear a child, Ijaw will call him all sort of names…

This lyrics may have perhaps prompted Owei Akpfagha to have approached Birinimigha of the Ekperu family, Taribo community of Ebijaw ward six, Odigbo Local Government Area of Ondo State, to ask her hands in a relationship and she said yes and so, the relationship matured to marriage.

Consequently, the next song of joy that must have probably filled Owei’s mouth is Pereama’s album ‘GOOD WIFE’. He must have sang Taribor otu/abu bo, Okubananaegbe Feruferu bo, Millionaire Muje bo, Double Chief Saidu Ogoba bo, Double Chief Adeyemi Ogoba bo, High Chief Ebi Akpofagha woni ye, I have seen my true love;I have seen my soulmate, Birinimigha Ekperu, na she be my true love na she I go marry.

Not want to go by the way being practised by some persons particularly in this part of the country, the Akpofagha family push for date for the traditional marriage wherein the Bride-price is paid. It is worth noting that Owei has royal blood flowing in his vein hence the family partucularly High Chief Ebi wouldn’t probably want the family name soiled through ‘credit’ marriage or say ‘marry, bear children and pay later’, as it is common with some people. Consequently, November 9, 2019, was fixed for the traditional marriage between Owei Akpofagha and Birinimigha Ekperu.

The_Ijaw_Traditional_Marriage_Proper

As early 11:00am of the D-Day, the family had converged on Akpofagha’s compound, Taribor community, to get the Ikor (Bride-Price) as it being called, paid. As usual, and as the tradition of this set of Ijaw speaking people requires, two men were chosen as messengers while elders in the family sit back to send them to the Bride family whom at the other end of the family had converged on the compound of the father to the Ayoro (Bride) to receive the Ikor. At this point, bargaining through these two messengers were done, and it was only when, in the course of the message, a question or request was beyond the messengers’ capacity to handle that the elders assigned other olders ones to go to the other family to bargain further. After the exchange of messages between the two families and all the requires bills paid, the Ayoro (Bride) was called by her family for questioning.

She was accompanied by some women from Owei’s family while her faced covered. At this juncture, some of the questions her family might have probably ask her are: if she was ready for the marriage; was she coerced/forced to marry him; if she was ready to stay in the husband’s house no matter what may.

She was thereafter brought back to the groom’s family. It was after this stage that the Tumo-tumo came in. Tumo-tumo is the stage the whole family of the Groom and well-wishers formerly accompanied the Bride and Groom to the Bride’s family whom in turn welcomed them. Owei and Birinimigha were accompanied to his wife home with drumming, singing and dancing while two young ladies (one for Owei and one for his wife) cover them with umbrella. Literally, the umbrellas too were dancing to the drums and the melodious Ijaw songs. The dancing and singing continued until they entered the room wherein the waiting bride family members were to welcome them.

Immediately they entered the waiting room came the next which the most glamouring stage. When the new couple got to the seating of the family, they (couple) sat on the mat apparently prepared for them in the middle of the people. Thereafter the drumming and dancing stopped for another level of dance. At this juncture, two young ladies who tied Igburu (rapper) came out to dance Awigiri/Owigiri. As the tradition requires at this stage, the ladies danced to three different occasions before the Bride family formerly welcomed them and there after moved to the next stage. The first dance to songs is ‘tugha’ (bonus or not counted) before they danced to other three songs to make it compete.

After this stage, dried gin was brought by one of the messengers for the Bride father which he used to pray and gave to the couple to drink. Here the Groom served his father in-law with a glass of gin which he prayed on and poured on the floor. He served him another which he used to pray for the husband and wife and then handed the glass of the dried gin to the Groom who received it on his knees and drank and gave to his new wife. Worth noting, he stands to his feet before handing down the glass of drink to his new wife whom on her knees received it.

Next after the series of prayers was the first assignment for the new groom to the In-laws. His father in-law gave him the bottle of dried gin to serve the family and he started from the person at the immediate left of his father in-law and the serving went clockwise untill it got to his father in-law who is the last person to be served. He served both young and old and those from his family who were sitted while on his knees. He crawled from one person to another to serve. One important thing to note, the bottle of drink he started with must not get exhausted during the process of servicing until it (the wurutu/bottom of the drink) gets to his father in-law. If it gets exhausted in the course of serving, he has to purchase another dried gin and start, but Owei case was not so. He excelled in this by serving everybody successful to make sure the bottom drink got to his father in-law. He was hailed for successfully carrying out his first assignment. The in-law thereafter prayed for him with the drink before the event moved to the next stage.

The next stage is one of the crucial stage for the couple partucularly the Bride; it is a stage for advice and counseling from the family. The first thing the Bride father did was to remind his daughter that there are forbidden things binding a woman as far as the Ijaw tradition is concerned, saying such things are known to all and sundry, he stopped there but Double Chief Saidu Ogoba urged him to mention/list the ‘tonyes’ (forbidden things) for people particularly the younger generation to learn that after all, learning is a continuous exercise. He made mention of few. Interested in knowing such? Listen to King Robert Ebizimor (now late) Amatonye song. All what he mentioned can be found King Ebizimor’s ‘Amamaton-tonye.’ The family there after poured out pieces of advice one after the other, both male and female, all bothering on how to stay pieceful with her husband, family members and all that will make her a good wife in her husband home and before her husband family.

She was thereafter handed to the Groom family and in dancing and singing they danced back to their home and the party continued till dawn.

Happy married life to a brother, Owei Akpofagha and his new wife.

Joseph Ebitibi Kanjo, a journalist, critist and affairs analyst writes from Taribor community.

News

FULL LIST: FG Lists Nigerian Veterans For Honours To Celebrate 100 Years Of Aviation Industry

Published

4 hours ago

November 30, 2025

Editor

The Federal Government of Nigeria has unveiled Nigerian veterans and distinguished aviators to be honoured for pioneering contributions that have shaped Nigeria’s aviation industry over the past century.

The Minister of Aviation and Aerospace Development, Festus Keyamo, announced the event in an X post on Saturday, describing the awardees as “icons whose vision and dedication laid the groundwork for Nigeria’s aviation success.”

He also shared photos of some of the honourees ahead of the event slated for Monday, December 1, 2025 at the Bola Ahmed Tinubu International Conference Centre in Abuja.

According to him, the recognition is part of activities marking 100 years of aviation in Nigeria, tracing the sector’s evolution from colonial era to its present status as a critical contributor to the country’s economy.

“The first ever aircraft to land in Nigeria was in Kano in 1925. As a result, we are celebrating 100 years of aviation in Nigeria this year. On Monday, December 1, 2025, at the Bola Ahmed Tinubu International Conference Center, Abuja, we shall celebrate this milestone with a number of performances and events, including honouring veterans of the aviation industry in the last 100 years. We are inviting all aviation stakeholders to the event,” he wrote.

Below are the list of some of the Nigerian veterans who have shaped the aviation industry, as shared by the Aviation Minister:

Chief Gabriel Igbinedion, founder of Okada Air.

Late Alhaji Ahmadu Dan kabo, founder of Kabo Air.

Capt Robert Hayes, Nigeria’s first certified pilot.

Chief Mbazulike Amechi, former Minister of Aviation and instrumental in establishing Nigerian Airways.

Chief Allen Ifechukwu Onyeama, Air Peace founder, promoted local content and invested in Nigerian youths’ training.

Dr Emmanuel Enekwechi, contributed to the aviation industry’s growth.

Capt. August Okpe, founder and CEO of Okpe Aviation Services, Nigeria’s first indigenous aviation engineering company.

Sen. Hadi Sirika, former Minister of Aviation, initiated policies like the national carrier launch.

Capt Rabiu Hamisu Yadudu, pioneered Nigeria’s aviation industry and transformed airports into world-class facilities.

Capt Ado Sanusi

Chief Wale Babalakin

Sir Joseph Arumemi

Olumuyiwa Bernard Aliu

Capt Dele Ore

Capt Wale Makinde

Capt Ibrahim Mshella

Capt Dapo Olumide

Ms Bimbo Sosina

Capt Benoni Briggs

Mrs Deola Olukunle

Dr Thomas Ogunbangbe

Capt Edward Boyo

Dr Gbenga Olowo

Elder Dr Soji Amusan

Engr Awogbemi Clement

Sen Musa Adede

Georg Eder MBA

Capt Prex Porbeni

Mrs Folashade Odutola

Dr Taiwo Afolabi OON

Capt Fola Adeola

Dr Seindemi Fadeni

Capt Chinyere Kali

Harold Demure

Akin Olateru

Mr George Urensi

Mrs Deola Yesufu

Engr Babatunde Obadofin

Dr Ayo Obilana

Capt Felix Iheanacho

Capt Peter Adenihun

Capt Jonathan Ibrahim

Pa Odeleye AC

Capt Toju Ogidi

Pa Abel Kalu Ukonu

News

Bishop Kukah Insists No Christian Genocide In Nigeria, Gives Reasons

Published

5 hours ago

November 30, 2025

Editor

The Catholic Bishop of Sokoto Diocese and Convener of the National Peace Committee (NPC), Most Rev. Matthew Kukah, has insisted that there’s no Christian genocide in Nigeria, explaining that number of people killed doesn’t amount to genocide.

Bishop Kukah stated this while presenting a paper at the 46th Supreme Convention of the Knights of St. Mulumba (KSM) in Kaduna.

His comments follow criticism that trailed reports quoting him as advising the international community against designating Nigeria as a “country of particular concern.”

The bishop explained that such labels could heighten tensions, fuel suspicion, and give room for criminal groups to exploit the situation, which would disrupt interfaith dialogue and cooperation with government.

Addressing figures circulated about alleged Christian killings in Nigeria, Kukah said he aligns with the Vatican Secretary of State, the President of the Catholic Bishops’ Conference of Nigeria, and all Catholic bishops in the country.

He said, “They are saying that 1,200 churches are burnt in Nigeria every year, and I ask myself, in which Nigeria? Interestingly, nobody approached the Catholic Church to get accurate data. We do not know where these figures came from. All those talking about persecution, has anyone ever called to ask, ‘Bishop Kukah, what is the situation?’ The data being circulated cleverly avoids the Catholic Church because they know Catholics do not indulge in hearsay.”

On the use of the term genocide, he noted, “Genocide is not based on the number of people killed. You can kill 10 million people and it still won’t amount to genocide. The critical determinant is intent, whether the aim is to eliminate a group of people. So, you don’t determine genocide by numbers; you determine it by intention. We need to be more clinical in the issues we discuss.”

Kukah also challenged claims that Christians in Nigeria are being targeted. He said, “If you are a Christian in Nigeria and you say you are persecuted, my question is: how? At least 80% of educated Nigerians are Christians, and up to 85% of the Nigerian economy is controlled by Christians. With such figures, how can anyone say Christians are being persecuted?”

He linked many of the challenges faced by Christians to a lack of unity, stating, “The main problem is that Christians succumb to bullies. The day we decide to stand together, believing that an injury to one is an injury to all, these things will stop.”

He further warned against loosely labeling victims as martyrs. “Because someone is killed in a church, does that automatically make them a martyr? Whether you are killed while stealing someone’s yam or attacked by bandits, does that qualify as martyrdom? I am worried because we must think more deeply.”

Clarifying his earlier remarks, he added, “People say there is genocide in Nigeria. What I presented at the Vatican was a 1,270-page study on genocide in Nigeria and elsewhere. My argument is that it is not accurate to claim there is genocide or martyrdom in Nigeria.”

News

OPINION] MOWAA: Unpleasant meal cooked for Benin from the outside (Two)

Published

6 hours ago

November 30, 2025

Editor

By Tony Erha

“Agha tot’ ikolo, t’ amen mie ede”; A Benin idiom holds sway that; “When the earthworm dominates a discussion, the rainfall would be all day long”. For the Museum of West Africa Art (MOWAA), whose skewed establishment had resurfaced about 2018, dominated global discourse and has reached a peak. Day in, day out, there is intense global indignation, bothering on an alleged swindling of the museum’s artefacts and huge accrued monies, which were under the care of the immediate-past governor of Edo State, Mr. Godwin Obaseki, alongside some of his political and business associates, which many commentators presented to be a f monumental fraud. As already claimed, it could as well have been called MOWAA-gate!

This article, being the second and last stanza of the first, published two weeks ago, was predicated on the decimating crisis of MOWAA. A condensed recap of the said article was partly anchored on a lavish reportage by swamps of Nigerian and foreign press, which largely implicated the Obaseki’s government, as inept in the due processes of MOWAA’s setup. MOWAA is a charitable entity, which sprang up on global funding and other resources of the state government, whereupon a case of undue diligence was allegedly stressed on Obaseki and his government.

There is a threesome public inquiry, thus raising a gummy accusation of indecency, especially when the ex-governor Obaseki’s People’s Democratic Party (PDP) had been voted out by the All Progressives Congress (APC), with Senator Monday Okpebholo as the present governor. And the MOWAA-gate is getting messier as Governor Okpebholo and the state’s House of Assembly, the lawmaking arm, had each set up a probe panel. Disturbed that the MOWAA-gate is earning the nation a bad name, the National Assembly, from a far-away Abuja, the nation’s capital, also instituted another probe.

”The returned looted Benin artifacts, like other sacred art work of Benin provenance, are not just superficial or ornamental, but infused with the mystical command and supernatural energy of the Benin kingdom of great antique. The key to correctly identify, classify, and position the authentic totems, in time and space, lies in the Royal Benin Palace, under the power of the Oba of Benin”. Sampson Ebome, a lawyer and perceptive cultural activist, uttered, postulating further;

“In every other society as Japan, Sweden, Spain, Denmark, Britain, the Netherlands, Saudi Arabia and Morocco etc., royalty holds a choice-place in preserving the unique cultural and corporate identity of the society and its governance. It is no co-incidence, therefore, that even in today’s Europe, there are about twelve statutory monarchs in its advanced democracies. Perhaps, the grave error of Godwin Obaseki’s administration was to proceed on the false logic that a concrete divergence existed between the government and the Benin kingdom, the very source and origin of the history, dialects, cultural identity and heritage of all the people of Edo State. To have persisted in this gargantuan ruse, an original artifice of the colonising powers of Europe, was always bound to be destabilising to the spiritual and socio-political equilibrium of the state”

In the state’s legislative’s probe, cans of worms are being revealed on MOWAA and the Reddisson Hotel construction, said to have been Obaseki’s conduit pipes. And there is intense firework by the contending parties. Chief Osaro Idah and some of the Oba’s palace chiefs have dragged MOWAA to the law court, a development which Oyiwola Afolabi SAN, MOWAA’s lawyer said had jeopardised the appearances of Godwin Obaseki, Osarodion Ogie (former Secretary to State Government) and other MOWAA’s executive at the House of Assembly summon.

“Even khiri-khiri keke udemwen idan ere ogbakhian”. “Fierce wrestling is a companion to violent thuds”. And the fight is now more forceful as no man will leave his leg for an opponent to grab. “Emwin na ma ru ese, to si itale emwen”, a Benin parlance for; “That which had been tardily or slyly done is bound to cause disaffection”. And so, the fight ranges whilst the onlookers are left to mock he that is already falling!

“Ovbi ekpen ere otolo ekpen ehae”. “Osayomore Joseph, the late music crooner and a soulmate, had often reminded me about the age-long Benin axiom; “It takes only the Cub – heir, to tickle the forehead of a Leopard. Instructively, HRM, Ewuare II, the revered Oba of Benin, with the Methuselah of wisdom at play, narrated the seizure of the artefactual ownership and benefaction, as he stoically alleged the undue conscription of his heir into the corporate board of Edo Museum of West Africa Art (EMOWAA) by ex-governor Obaseki. His son had also attested to that. The claim was also buttressed that EMOWAA was an inordinate scheme evolved by Obaseki and his associates to wrestle the returned looted artefacts and supplement payment from their foreign sources.

The Esans of Edo would say; “Ehun no ho obhiaha emoen, avava uwendin, ole odia”. “The sharp fart that disgraces the bride perches in-between her buttocks”. Once upon a time, Governor Okpebholo, on the heels of his final governorship declaration by the Supreme Court, which Obaseki and his protégé, Dr. Asue Ighodalo, the PDP candidate had dragged him through, was swayed by the of Senator Adams Oshiomhole insistence on the probe of Obaseki and his government. But Nyesom Wike, the flammable minister of Abuja, had dissuaded a pliable Okpebholo. But, Obaseki wasn’t mindful that he had escaped the expected probes, until he caused it with his usual foibles.

“Asua gha sua egile, oya danmwen ekpatu; eighi ye ebe gue egbe”. In a Benin folktale, it’s about the adventurous snail that crawls up the tree and soon crash to the ground, failing to cover itself from its hunters. The headstrong former governor, with the braggadocio of a ‘diaspora governor’, has taken the fight from ‘iya’ (valley) to ‘oke’ (mountain top). All we now see is the continuation of a “filaga filogo” (a street brawn with broken bottles and cudgels), now that ‘slappers and bone breakers’ fight wherever they meet in Europe and America. It is a bitter reminder of Obaseki’s heydays of masterminding the ‘Torgbas’ fighters’ gang that fought the APC’s ‘Tokpas’, which had earned him aliases like ‘Emanton’ (Iron Rod) and ‘Isakpana’ (the god of anger).

Whilst Nigerians and humankind watch the ‘filaga filogo’ and shame emanating from the Nigeria’s ‘heartbeat’ state, the very man who was called the ‘Wake and see Governor, may be laying down in the foreign climes the same landlines, that he laid on his home’s pathway that makes him to go into self-exile’.